秦汉西部漆器艺术研究——甘肃、宁夏地区漆器艺术

发布时间：2018-09-08 17:21

【摘要】： 秦汉时期的漆器艺术被称为漆艺史中的“黄金时期”,从漆器的影响力、艺术成就、工艺制作水平及对日常生活的覆盖面等诸方面看,它无疑在我国古代漆艺史中占据了最辉煌、最重要的位置。秦汉时期的漆器艺术作为我国优秀的传统文化遗产和艺术珍宝,为中华文化的传承与传播发挥过巨大的作用。秦汉时期的甘肃、宁夏处于古“丝绸之路”必经之地、锁匙之地和核心路段,在这里曾经遗留下大量的漆器实物及铭文文字资料,并以其应有尽有的品类、精美华丽的装饰、轻巧精致的造型著称于世。在中国漆工艺史上写下了光彩熠熠的篇章,同时也为研究中国工艺美术史提供了不可多得的宝贵资料。本文研究的对象是以秦汉时期甘肃、宁夏的漆器艺术为核心,论述的着力点在秦汉时期甘肃、宁夏漆器艺术的装饰特色。首先,对秦汉时期甘肃、宁夏漆器艺术产生的背景做了较全面的论述,其中包括秦汉时期的民风民俗、经济状况,以及秦汉时期的科学技术,秦汉时期甘肃、宁夏的历史、地理背景等。其次,对秦汉时期甘肃、宁夏漆器的器类及器型做了介绍,从使用功能上将其分为三大类。再次,重点论述了秦汉时期甘肃、宁夏漆器艺术的装饰特色,对秦汉时期甘肃、宁夏漆器艺术的装饰题材、纹饰类型、表现形式、装饰手法、装饰色彩进行归纳分析,从而归纳剖析其漆器艺术装饰风格的独有特征。最后,通过对秦汉时期甘肃、宁夏漆器艺术文化内涵的研究,得出其漆器艺术是楚文化、儒道思想等多重因素、多种文化共同的结晶体的结论。通过对秦汉时期的甘肃、宁夏漆器艺术的研究,得出其漆器首先是出于使用目的而设计的结论,实用的功能性位于造物设计考虑的首位；其漆器的器型设计圆融通贯、安定和谐,既实用又美观；其漆器的图案简练、色彩强烈,装饰纹样神秘浪漫、飞扬流动,深受儒道思想、楚巫文化的影响；其漆器设计制作紧密结合生活,实现了应用与艺术趣味的完美结合。它融实用性、艺术性于一体,对现代社会的艺术设计理念和风格具有极强的借鉴参考价值。
[Abstract]:The lacquer art of the Qin and Han dynasties was called the "golden age" in the history of lacquer art. From the aspects of the influence of lacquer ware, artistic achievements, the level of craftsmanship and the coverage of daily life, etc. It undoubtedly occupies the most brilliant and important position in the history of lacquer art in ancient China. The lacquer art of the Qin and Han dynasties, as an outstanding traditional cultural heritage and art treasure, played a great role in the inheritance and dissemination of Chinese culture. In the Qin and Han dynasties in Gansu, Ningxia was in the place of the ancient "Silk Road", the locale of the keys and the core road, where a large number of lacquer objects and inscriptions were left behind, and with all the categories they should have, they were beautifully decorated. Light and delicate shapes are well known in the world. It has written a glorious chapter in the history of Chinese lacquer technology and provided valuable information for the study of the history of Chinese arts and crafts. Based on the lacquer art of Gansu and Ningxia in the Qin and Han dynasties, this paper focuses on the decorative features of the lacquer art in Gansu and Ningxia during the Qin and Han dynasties. Firstly, the background of lacquerware art in Gansu and Ningxia during the Qin and Han dynasties is discussed, including folk customs, economic situation, science and technology in Qin and Han dynasties, Gansu and Ningxia history in Qin and Han dynasties. Geographical background, etc. Secondly, the article introduces the types and types of lacquer ware in Gansu and Ningxia in Qin and Han dynasties, and divides them into three categories. Thirdly, it discusses the decorative characteristics of the lacquer art in Gansu and Ningxia during the Qin and Han dynasties, and generalizes and analyzes the decorative themes, patterns, decorative techniques and decorative colors of the lacquer art in Gansu and Ningxia during the Qin and Han dynasties. In order to sum up and analyze the unique characteristics of its lacquer art decoration style. Finally, through the study of the cultural connotation of lacquer ware in Gansu and Ningxia during the Qin and Han dynasties, it is concluded that the lacquer ware art is a common crystallization of Chu culture, Confucianism and Taoism, and so on. By studying the art of lacquer ware in Gansu and Ningxia during the Qin and Han dynasties, it is concluded that the lacquer ware is designed for the purpose of use. Stable and harmonious, both practical and beautiful; its lacquer design concise, strong color, decorative patterns mysterious romantic, flying flow, deeply influenced by Confucianism and Taoism, Chu Witchcraft culture; its lacquer design and production closely combined with life, Realized the perfect combination of application and artistic taste. It combines practicability and artistry, and has strong reference value for modern art design idea and style.
【学位授予单位】：西安理工大学
【学位级别】：硕士
【学位授予年份】：2010
【分类号】：K876.6

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