高兔村战国墓出土神兽金铸像造型蠡测
发布时间：2018-10-12 19:43
【摘要】：陕西神木县纳林高兔村战国墓中出土的圆雕勾喙蹄足有角神兽金铸像,带有复杂多元的文化元素,既有我国北方草原文化的造型特征,又融合了欧亚草原斯基泰艺术的装饰风格,呈现出复杂的文化背景和传承关系,其所具有的神秘信息有待解读。从语源学、文物学、艺术学角度对神兽金铸像造型的分析表明,其所具有的勾喙、蹄足、长角、有耳鸟首等特征,与先秦两汉古文献记载的嬴秦飞廉族的历史、风神形象等信息重合,并且传承关系密切;与欧亚草原艺术中常见的勾喙蹄足后蹄反转的神兽造型、中国北方草原鹿石上的神兽形象相似,相关性显著。本文认为,神兽金铸像的母题来源是风神飞廉,文化内涵源于商族的鸟图腾、草原文化和巫文化的鹿图腾,兼有嬴秦族的龙图腾和古印欧文化的双头神兽形象元素,呈现出交互杂糅的文化传承关系。
[Abstract]:In the warring States Tombs of Nalingao Rabbit Village, Shenmu County, Shaanxi Province, a gold cast statue of a horned fairy beast unearthed from the tomb of the warring States period was unearthed, with complex and pluralistic cultural elements, as well as the modelling characteristics of the grassland culture in the north of China. It also combines the decorative style of Skeetai art in Eurasian steppe and presents a complex cultural background and inheritance relationship, and its mysterious information needs to be interpreted. From the perspective of etymology, antiquities and art, the analysis of the gold cast image of the immortal beast shows that it has the characteristics of beak, hoofs, long horns and ear-bird heads, and the history of the Yingqin-Feilian nationality recorded in the ancient documents of the Pre-Qin, Han and Han dynasties. The image of Fengshen overlapped with other information, and was closely related with the common art of Eurasian steppe. It was similar to the image of the immortal beast on the deer stone of northern China, and had significant correlation with the fairy beast that was common in the art of Eurasian steppe. This paper holds that the motif of the golden statue of the Immortal Beast comes from the Fei-Lian of the Fengshen, the cultural connotation originates from the bird totem of the Shang nationality, the deer totem of the prairie culture and the witch culture, as well as the dragon totem of the Ying Qin nationality and the image element of the dual-headed immortal beast of the ancient Indo-European culture. There is a mixture of cultural heritage.
【作者单位】： 中国国家博物馆;
【分类号】：K876.43
[Abstract]:In the warring States Tombs of Nalingao Rabbit Village, Shenmu County, Shaanxi Province, a gold cast statue of a horned fairy beast unearthed from the tomb of the warring States period was unearthed, with complex and pluralistic cultural elements, as well as the modelling characteristics of the grassland culture in the north of China. It also combines the decorative style of Skeetai art in Eurasian steppe and presents a complex cultural background and inheritance relationship, and its mysterious information needs to be interpreted. From the perspective of etymology, antiquities and art, the analysis of the gold cast image of the immortal beast shows that it has the characteristics of beak, hoofs, long horns and ear-bird heads, and the history of the Yingqin-Feilian nationality recorded in the ancient documents of the Pre-Qin, Han and Han dynasties. The image of Fengshen overlapped with other information, and was closely related with the common art of Eurasian steppe. It was similar to the image of the immortal beast on the deer stone of northern China, and had significant correlation with the fairy beast that was common in the art of Eurasian steppe. This paper holds that the motif of the golden statue of the Immortal Beast comes from the Fei-Lian of the Fengshen, the cultural connotation originates from the bird totem of the Shang nationality, the deer totem of the prairie culture and the witch culture, as well as the dragon totem of the Ying Qin nationality and the image element of the dual-headed immortal beast of the ancient Indo-European culture. There is a mixture of cultural heritage.
【作者单位】： 中国国家博物馆;
【分类号】：K876.43
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