陕西凤翔唐墓出土陀罗尼经咒的图像解读
发布时间：2018-10-25 19:55
【摘要】：陕西凤翔县南郊唐墓M17中出土的绢质汉文陀罗尼经咒绘写本,其主体内容是唐代盛行的《佛说随求得大自在陀罗尼神咒经》。经咒中心和周边的图像对理解唐代密宗真言的构成有着重要的启示性作用。本文对经咒中涉及到的图像进行简单的对比分析,认为经咒中心图像为一头戴虎头冠的披甲执锐武士形象。此类虎头冠图像发轫于西方,向东融汇佛教中的天龙八部思想,进入中土之后,经过了若干次变容和转化,成为具有"护国、护教、护城"战神之力的毗沙门天王形象。这种形象的出现正与凤翔墓地的时代背景相契合。经咒周边为佛教手印、花卉纹等构成的组合图案,以及经咒书写方式的结构—环绕式构图,共同构成了较为完整的密宗曼荼罗坛城的表现形式。此外,凤翔经咒中所表现的密宗思想有可能与墓地杀殉现象存在一定关系。
[Abstract]:The painting book of the mantra of the Tauroni Sutra unearthed in the Tang Tomb M17 in the southern suburb of Fengxiang County, Shaanxi Province, the main content of which is the popular Tang Dynasty, "Buddha said to be at ease with the request of the Tauroni God mantra". The images of the mantra center and its surroundings play an important role in understanding the composition of the truthfulness of the Tantra in the Tang Dynasty. This paper makes a simple comparative analysis of the images involved in the sutra mantra and holds that the image of the center of the sutra is a sharp warrior in armour with a tiger's head crown. The image of this kind of tiger crown originated in the West and merged with the thoughts of The Demi-Gods & Semi-Devils in Buddhism to the east. After entering the Middle Earth, after several changes and transformations, it became the image of Vishamen King with the power of "protecting the country, protecting the religion and protecting the city". The appearance of this image coincides with the background of Fengxiang cemetery. The combination patterns of Buddhist handprints and flower lines around the mantra, as well as the structure-surround composition of the mandala, constitute a relatively complete form of expression of the tantric mandala. In addition, the conjuring of Fengxiang sutras may be related to the death of the graveyard.
【作者单位】： 中国社会科学院考古研究所;
【分类号】：J522;K876.9
，
本文编号：2294672
[Abstract]:The painting book of the mantra of the Tauroni Sutra unearthed in the Tang Tomb M17 in the southern suburb of Fengxiang County, Shaanxi Province, the main content of which is the popular Tang Dynasty, "Buddha said to be at ease with the request of the Tauroni God mantra". The images of the mantra center and its surroundings play an important role in understanding the composition of the truthfulness of the Tantra in the Tang Dynasty. This paper makes a simple comparative analysis of the images involved in the sutra mantra and holds that the image of the center of the sutra is a sharp warrior in armour with a tiger's head crown. The image of this kind of tiger crown originated in the West and merged with the thoughts of The Demi-Gods & Semi-Devils in Buddhism to the east. After entering the Middle Earth, after several changes and transformations, it became the image of Vishamen King with the power of "protecting the country, protecting the religion and protecting the city". The appearance of this image coincides with the background of Fengxiang cemetery. The combination patterns of Buddhist handprints and flower lines around the mantra, as well as the structure-surround composition of the mandala, constitute a relatively complete form of expression of the tantric mandala. In addition, the conjuring of Fengxiang sutras may be related to the death of the graveyard.
【作者单位】： 中国社会科学院考古研究所;
【分类号】：J522;K876.9
，
本文编号：2294672
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