东周秦汉楚式家具研究
发布时间：2018-10-31 08:07
【摘要】：东周时期楚国注重对漆树的栽培,楚墓优良的防护措施使得楚式漆木家具能够较多且较完整的保存至今,为今日对这一时期家具的研究提供了宝贵的实物资料。楚式家具代表着我国早期家具的艺术水平和制作工艺,以其种类丰富、色彩绚丽、浪漫神奇、制作精良等特点,反映出该地区独特的文化底蕴及其意识形态。楚式家具对后代家具制作的艺术风格有着深远的影响。因此,对楚式家具进行研究可以窥见当时社会生产技术水平和文化生活的面貌。 出土的楚式家具中几、案、俎、屏无论从艺术风格上还是对后世家具的影响方面都具有典型性和代表性。本文从考古学角度,主要依据发表的田野考古报告、简报以及楚式家具专著、图录所涉及到的东周秦汉时期的楚式家具的资料,在前人研究的基础上,将出土的典型楚式家具进行系统的、综合性的类型学分析,结合墓葬形制、与楚式家具共存的陶器组合、铜钱和铜镜等断代标尺性器物的特征对其出现时间和流行年代进行推断。 在类型学研究的基础上,对楚式家具相关问题进行了研究。楚式家具的艺术风格表现在造型优美、色彩绚丽、装饰精美等几个方面；通过对典型的巫文化纹饰、神秘的摆放位置和同时出土的随葬品特点、与墓主人的身份关系的观察,初步得出楚式家具带有明显的楚巫文化因素的结论,此外还探讨了东周时期楚式家具对秦汉时期家具风格的影响。汉代家具是在继承东周时期楚式家具工艺优良传统的基础上得到了发展,并在原有的基础上出现了新的家具品类。 最后得出结论,楚式家具在东周时期已初具规模,至战国中期已经达到鼎盛时期。它自成一系,造型、纹饰、色彩别具风格。它代表了早期家具的工艺水平,是形成我国漆木家具这一体系的主要源头,楚式家具的组合形式、品种类型、构架意识直接影响着后世家具体系的发展。
[Abstract]:During the Eastern Zhou Dynasty, the State of Chu paid attention to the cultivation of lacquer trees, and the excellent protective measures of the Chu tomb enabled the Chu style lacquer furniture to be preserved more and more completely, which provided valuable material for the study of furniture in this period today. Chu furniture represents the artistic level and production technology of the early furniture in our country. It reflects the unique cultural heritage and ideology of the region with its rich variety, brilliant color, romantic magic, excellent production and so on. Chu-style furniture has a profound influence on the artistic style of furniture made by future generations. Therefore, the study of Chu-style furniture can see the level of social production and cultural life at that time. Several unearthed Chu furniture, cases, victimization, screen, whether from the artistic style or the impact on the furniture of later generations are typical and representative. From the perspective of archaeology, this paper mainly bases on the published field archaeological reports, briefing papers, Chu furniture monographs, and the materials of Chu furniture in the Eastern Zhou, Qin and Han dynasties, which are related to the previous studies. A systematic and comprehensive typological analysis of the typical Chu furniture unearthed was carried out, and a combination of pottery and pottery coexisting with the Chu furniture was combined with the tombs. The time and age of its emergence and popularity are inferred by the characteristics of ancient ruler objects such as copper coins and bronze mirrors. On the basis of typology, the paper studies the related problems of Chu style furniture. The artistic style of Chu style furniture is shown in several aspects, such as beautiful shape, gorgeous color, fine decoration and so on. Based on the observation of the typical witch culture decoration, the mysterious location and the characteristics of the buried objects unearthed at the same time, and the relationship between the identity of the tomb owner and the Chu furniture, the conclusion that Chu style furniture has obvious factors of Chu witch culture is drawn. In addition, it discusses the influence of Chu style furniture on the style of Qin and Han dynasties. The furniture of Han Dynasty was developed on the basis of inheriting the fine tradition of Chu style furniture craft in the Eastern Zhou Dynasty, and a new category of furniture appeared on the basis of the original one. Finally, the conclusion is drawn that Chu furniture has begun to take shape in the Eastern Zhou Dynasty, and reached its peak in the middle of warring States period. It has its own series, modeling, decoration, color has a unique style. It represents the technological level of the early furniture, and is the main source of the lacquer furniture system in China. The combination form, variety type and frame consciousness of Chu furniture directly affect the development of furniture system in later generations.
【学位授予单位】：郑州大学
【学位级别】：硕士
【学位授予年份】：2011
【分类号】：K875.2
本文编号：2301470
[Abstract]:During the Eastern Zhou Dynasty, the State of Chu paid attention to the cultivation of lacquer trees, and the excellent protective measures of the Chu tomb enabled the Chu style lacquer furniture to be preserved more and more completely, which provided valuable material for the study of furniture in this period today. Chu furniture represents the artistic level and production technology of the early furniture in our country. It reflects the unique cultural heritage and ideology of the region with its rich variety, brilliant color, romantic magic, excellent production and so on. Chu-style furniture has a profound influence on the artistic style of furniture made by future generations. Therefore, the study of Chu-style furniture can see the level of social production and cultural life at that time. Several unearthed Chu furniture, cases, victimization, screen, whether from the artistic style or the impact on the furniture of later generations are typical and representative. From the perspective of archaeology, this paper mainly bases on the published field archaeological reports, briefing papers, Chu furniture monographs, and the materials of Chu furniture in the Eastern Zhou, Qin and Han dynasties, which are related to the previous studies. A systematic and comprehensive typological analysis of the typical Chu furniture unearthed was carried out, and a combination of pottery and pottery coexisting with the Chu furniture was combined with the tombs. The time and age of its emergence and popularity are inferred by the characteristics of ancient ruler objects such as copper coins and bronze mirrors. On the basis of typology, the paper studies the related problems of Chu style furniture. The artistic style of Chu style furniture is shown in several aspects, such as beautiful shape, gorgeous color, fine decoration and so on. Based on the observation of the typical witch culture decoration, the mysterious location and the characteristics of the buried objects unearthed at the same time, and the relationship between the identity of the tomb owner and the Chu furniture, the conclusion that Chu style furniture has obvious factors of Chu witch culture is drawn. In addition, it discusses the influence of Chu style furniture on the style of Qin and Han dynasties. The furniture of Han Dynasty was developed on the basis of inheriting the fine tradition of Chu style furniture craft in the Eastern Zhou Dynasty, and a new category of furniture appeared on the basis of the original one. Finally, the conclusion is drawn that Chu furniture has begun to take shape in the Eastern Zhou Dynasty, and reached its peak in the middle of warring States period. It has its own series, modeling, decoration, color has a unique style. It represents the technological level of the early furniture, and is the main source of the lacquer furniture system in China. The combination form, variety type and frame consciousness of Chu furniture directly affect the development of furniture system in later generations.
【学位授予单位】：郑州大学
【学位级别】：硕士
【学位授予年份】：2011
【分类号】：K875.2
【参考文献】
相关期刊论文 前1条
1 院文清;楚与秦汉漆器的几个问题[J];江汉考古;1987年01期
，本文编号：2301470
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