美国波士顿美术馆藏北魏永安二年造像碑考
发布时间：2018-11-03 12:07
【摘要】：永安二年造像碑为北魏后期佛教兴盛的产物。流失海外后于1923年入藏美国波士顿美术馆。该造像碑上刊刻的佛本行、佛因缘故事,反映当时佛教信仰特点。佛教造像是佛法的方便道,目的是为了证实佛教真谛,造像碑上的高跷、幢伎雕刻,不可能是普通的百戏娱乐画面,而是将当时庙堂礼乐纳入到敬佛礼乐的写照。造像图案和题记所处位置与排列顺序均以居中为尊,左右对称,是中国传统礼制观念的缩影,由一区造像碑可以看出当时邑义组织中的不同身份和严格的等级差异。
[Abstract]:Yongan two-year statue tablet is the product of Buddhism prosperity in the late Northern Wei Dynasty. After losing overseas, he entered the Boston Museum of Art in 1923. The inscription on the monument of the Buddha line, the story of karma, reflecting the characteristics of Buddhist faith at that time. Buddhist statues are the convenient way of Buddhist Dharma. The purpose is to prove the true meaning of Buddhism. The stilts on the monument and the sculpture of a geisha can not be an ordinary entertainment picture of a hundred dramas, but a portrayal of the ritual music of the temple hall at that time into the worship of Buddha's rites and music. The position and arrangement order of the image pattern and inscription are all centered and symmetrical, which is the epitome of the traditional Chinese concept of etiquette. The different identities and strict grade differences in the Yi organization at that time can be seen from the statue tablet of one area.
【作者单位】： 中央民族大学考古文博系;
【基金】：国家社科基金一般项目“北魏丧葬中民族融合因素的考古学解读”(编号16BKG019)阶段性成果
【分类号】：K887.12
[Abstract]:Yongan two-year statue tablet is the product of Buddhism prosperity in the late Northern Wei Dynasty. After losing overseas, he entered the Boston Museum of Art in 1923. The inscription on the monument of the Buddha line, the story of karma, reflecting the characteristics of Buddhist faith at that time. Buddhist statues are the convenient way of Buddhist Dharma. The purpose is to prove the true meaning of Buddhism. The stilts on the monument and the sculpture of a geisha can not be an ordinary entertainment picture of a hundred dramas, but a portrayal of the ritual music of the temple hall at that time into the worship of Buddha's rites and music. The position and arrangement order of the image pattern and inscription are all centered and symmetrical, which is the epitome of the traditional Chinese concept of etiquette. The different identities and strict grade differences in the Yi organization at that time can be seen from the statue tablet of one area.
【作者单位】： 中央民族大学考古文博系;
【基金】：国家社科基金一般项目“北魏丧葬中民族融合因素的考古学解读”(编号16BKG019)阶段性成果
【分类号】：K887.12
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