中国墓室壁画图像体系探究

发布时间：2018-11-14 16:17

【摘要】：因为封闭性的存在,中国墓室壁画是一个独特的图像体系。首先,墓室壁画是一种多元图像结构的图像体系,主要由宗教图像、艺术图像和考古图像所结构。其次,墓室壁画是一种多重审美体验的图像体系,仪式分离、多次审美和依赖考古等都是需要考虑的审美指标。最后,墓室壁画有着自己的发展特征,形成了汉魏南北朝的兴盛期、隋唐宋辽金元的繁荣期和明清衰退期三个发展阶段。其中,汉代的兴盛奠定了中国墓室壁画的基本特征,唐代发生的神灵图像向神瑞图像转化和号墓为陵提出的新重生体验有着特别意义。此外,明清衰退表明,墓室壁画存在着象征意义和艺术水准的下降趋势,以及明代礼制的影响。
[Abstract]:Because of the existence of closeness, Chinese tomb murals are a unique image system. First of all, tomb murals are an image system with multiple image structures, which are mainly composed of religious images, art images and archaeological images. Secondly, tomb murals are an image system with multiple aesthetic experiences. Ritual separation, multiple aesthetics and dependence on archaeology are all aesthetic indexes to be considered. Finally, the murals of the tomb have their own development characteristics, forming the prosperous period of Han, Wei, Southern and Northern dynasties, the prosperous period of Sui, Tang, Song, Liao, Jin and Yuan dynasties and the declining period of Ming and Qing dynasties. Among them, the prosperity of Han Dynasty laid the basic characteristics of Chinese tomb murals, the conversion of the image of the gods to Shenrui in the Tang Dynasty and the new experience of rebirth proposed by the Tombs had special significance. In addition, the decline of the Ming and Qing dynasties showed that the tomb murals had a downward trend of symbolism and artistic standards, as well as the influence of the Ming Dynasty ritual system.
【作者单位】：东南大学艺术学院;
【基金】：2013年度国家社科基金项目《中国墓室壁画的图像体系研究》(13BZJ034) 2011年度国家社科基金重大项目《长江流域宗教文化》子课题(11ZD117)阶段性成果
【分类号】：K879.41

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