凤鸟纹瓦当造型艺术研究

发布时间：2018-12-25 16:30

【摘要】：具有实用性与艺术性的瓦当在中国古代艺术的发展中显现出了它独特的魅力。经过千百年积淀，瓦当上的纹样从无到有，从简单到繁复，随着时代、地域、文化和习俗的变化而不断变化和发展着，表现出了异彩纷呈的艺术面貌。众多的瓦当纹样中，凤鸟纹瓦当具有独特的魅力，凤鸟纹是中华民族的图腾纹样之一，是自然的形象与主观的营造的艺术结合，，是古人艺术想象力与造型能力的完美诠释。研究凤鸟纹瓦当艺术可以让我们了解古代先民的审美认识和情感表达，还可以让我们了解传统艺术纹样的发展以及雕塑造型手法在瓦当艺术中的运用。本文主要分为四个部分：首先对凤鸟纹的文化渊源进行了简述，分析了凤鸟文化起源和凤鸟形象的来源。综合文物实例对凤鸟纹瓦当的考古发现进行介绍。并且对凤鸟纹瓦当和鸟纹瓦当进行了分析，梳理和区分凤鸟纹瓦当的形制特点，使之类型区分更加清晰。其次，结合瓦当的考古发展对凤鸟纹瓦当的造型进行重点剖析，展现凤鸟纹瓦当在各个时期的时代特点，对比各时期凤鸟纹瓦当造型的差异，展现出了一个动态发展变化的凤鸟纹瓦当发展脉络。第三部分对凤鸟纹瓦当在各个时期独特的艺术魅力进行剖析，总结出了其饱含的表现手法。最后，结合凤鸟纹瓦当所处时代的美学思想，剖析其美学意涵。
[Abstract]:The practical and artistic Wadang showed its unique charm in the development of ancient Chinese art. After thousands of years of accumulation, Wadang patterns from scratch, from simple to complex, with the times, regions, cultures and customs of change and continue to change and develop, showing a colorful artistic face. Among the many Wadang patterns, Phoenix bird pattern has a unique charm. Phoenix bird pattern is one of the totem patterns of the Chinese nation. It is a combination of natural image and subjective creation, and a perfect interpretation of the artistic imagination and modeling ability of the ancients. The study of the art of Phoenix and bird patterns can help us understand the aesthetic understanding and emotional expression of the ancient ancestors, as well as the development of the pattern of traditional art and the application of sculptural techniques in the art of Wadang. This paper is divided into four parts: firstly, the cultural origin of Phoenix bird is briefly introduced, and the origin and image of Phoenix bird are analyzed. The archaeological discovery of Phoenix bird waddang is introduced in this paper. It also analyzes the pattern of Phoenix and bird patterns, combs and distinguishes the shape characteristics of Phoenix bird pattern tile, and makes the distinction of its type more clear. Secondly, combining with the archaeological development of Wadang, this paper focuses on the analysis of the modelling of the Phoenix bird pattern tile, shows the characteristics of each period of the Phoenix bird pattern tile, and compares the differences of the Phoenix bird pattern tile shape in each period. It shows a dynamic development of the Phoenix bird pattern of Wadang development. The third part analyzes the unique artistic charm of Fengyao Wadang in each period, and summarizes its expressive methods. Finally, combining with the aesthetic thought of Fengyao Wadang era, it analyzes its aesthetic implication.
【学位授予单位】：西安美术学院
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：K876.3

【共引文献】