徐州地区汉画像石研究
发布时间：2019-02-14 23:48
【摘要】：本文主要对解放以来徐州地区科学发掘和征集的汉画像石进行了初步的整理,依据各种材料,从汉画像石所体现的当时社会风貌和思想状态以及画像石的设计理念和雕刻风格入手,系统阐述了徐州地区作为汉代画像石发源和聚集地之一的地区特征。 全文主要从三个大的方面对徐州地区汉画像石进行论述,一方面是徐州地区汉画像石集中分布的原因和产生的社会背景；一方面是徐州地区汉画像石的题材和内容,主要分为两类：一类是以浪漫主义手法,墓主人为达到死后升入仙界与神仙们共游的愿望而创造出幻念中天上神仙们的自由世界和祥禽瑞兽图文装饰；一类是以现实主义手法,再现人世间的现实生活,描绘墓主人生前的享乐场景和死后的哀荣,真实地记录了汉人的思想追求和生活状况。一方面是徐州汉画像石的艺术表现形式和特征,在此分为两类：一类是从雕刻手法描述,在概括汉画像石整体雕刻手法的基础上提出徐州地区汉画像石的主要雕刻手法为“粗面阳刻”和“剔地浅浮雕”；另一类是从构图技巧上进行论述,主要是构图整体充盈丰满,线和面的完美结合使整体图画充满艺术感染力,突出体现了徐州地区汉画像石以情动人的艺术表现手法。 最后对徐州地区汉画像石所反映的历史文化、雕刻艺术等的区域性特征进行了初步的探讨和总结。
[Abstract]:This article mainly carries on the preliminary arrangement to the Han Dynasty portrait stone which has been excavated and collected scientifically since the liberation of Xuzhou area, according to various materials, Starting from the social features and ideological state of the Han Dynasty and the design concept and carving style of the stone, this paper systematically expounds the regional characteristics of Xuzhou as one of the origins and gathering places of the stone relief in the Han Dynasty. This paper mainly discusses the Han stone in Xuzhou from three aspects, on the one hand, the reason and social background of the concentrated distribution of Han stone in Xuzhou; On the one hand, the subject matter and content of the Han Dynasty stone relief in Xuzhou region are divided into two categories: one is the Romantic approach. The owner of the tomb created the free world of the heavenly gods and the picture and text decoration of the auspicious birds and beasts in order to reach the desire to travel together with the immortals and the immortals after death. One is the realistic way to reproduce the real life of the world, depicting the scene of the tomb owner's enjoyment before death and the mourning after death, which truly records the Han people's ideological pursuit and living conditions. On the one hand, there are two types of artistic expression and characteristics of the Han Dynasty stone relief in Xuzhou. One is to describe the stone from the means of carving. On the basis of summing up the whole carving technique of Han Dynasty stone relief, the paper puts forward that the main engraving techniques of the Han stone in Xuzhou area are "coarse face sun carving" and "shading shallow relief carving". The other is to discuss from the composition technique, mainly is the composition of the whole full and full, the perfect combination of line and surface makes the whole picture full of artistic appeal, and highlights the artistic expression of the Han Dynasty stone in Xuzhou area. Finally, the regional characteristics of historical culture, carving art and so on reflected by Han stone sculptures in Xuzhou area are preliminarily discussed and summarized.
【学位授予单位】：安徽大学
【学位级别】：硕士
【学位授予年份】：2011
【分类号】：K879.4
本文编号：2422734
[Abstract]:This article mainly carries on the preliminary arrangement to the Han Dynasty portrait stone which has been excavated and collected scientifically since the liberation of Xuzhou area, according to various materials, Starting from the social features and ideological state of the Han Dynasty and the design concept and carving style of the stone, this paper systematically expounds the regional characteristics of Xuzhou as one of the origins and gathering places of the stone relief in the Han Dynasty. This paper mainly discusses the Han stone in Xuzhou from three aspects, on the one hand, the reason and social background of the concentrated distribution of Han stone in Xuzhou; On the one hand, the subject matter and content of the Han Dynasty stone relief in Xuzhou region are divided into two categories: one is the Romantic approach. The owner of the tomb created the free world of the heavenly gods and the picture and text decoration of the auspicious birds and beasts in order to reach the desire to travel together with the immortals and the immortals after death. One is the realistic way to reproduce the real life of the world, depicting the scene of the tomb owner's enjoyment before death and the mourning after death, which truly records the Han people's ideological pursuit and living conditions. On the one hand, there are two types of artistic expression and characteristics of the Han Dynasty stone relief in Xuzhou. One is to describe the stone from the means of carving. On the basis of summing up the whole carving technique of Han Dynasty stone relief, the paper puts forward that the main engraving techniques of the Han stone in Xuzhou area are "coarse face sun carving" and "shading shallow relief carving". The other is to discuss from the composition technique, mainly is the composition of the whole full and full, the perfect combination of line and surface makes the whole picture full of artistic appeal, and highlights the artistic expression of the Han Dynasty stone in Xuzhou area. Finally, the regional characteristics of historical culture, carving art and so on reflected by Han stone sculptures in Xuzhou area are preliminarily discussed and summarized.
【学位授予单位】：安徽大学
【学位级别】：硕士
【学位授予年份】：2011
【分类号】：K879.4
【参考文献】
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