北朝到五代中原北方佛像带结研究

发布时间：2019-04-02 06:15

【摘要】：北朝到五代,统治者大力开窟造像,佛教得到发展。随着佛教文化与中原文化的交融,佛像的带结也呈现出多元化的特征。在资料收集和文献考察的基础上,本文对佛像的带结进行分类、分型、分区研究,概括不同时期和不同地区佛像带结的演变规律,以明晰北朝到五代北方佛像带结的风格样式、演变及其传播格局。佛像带结的细微变化,与文化交流、审美等因素相关,因此对佛像带结予以科学解读,并以带结为契机,以小见大,从而展现佛教服饰发展的丰富内涵。分类是本文的基础所在。本文的写作框架由四章构成。第一章绪论部分简述了北朝到五代的社会背景,介绍了各位学者对佛像带结的研究现状,阐明了论文的资料来源。在此基础上,通过对社会背景的整体把握,吸收各位学者的研究成果,并归纳和分析所收集的资料,对论文的写作有一个全面构思,提出本篇论文的创新之处。第二章、三章、四章以时间为脉络,对北朝、隋唐、五代时期,中原北方佛像带结的进行简要论述,运用类型学的研究方法,对北方佛像带结进行分区、分期、分类的初步探究,从而对北朝到五代中原北方各个时期的带结有一个相对准确的认识。结语部分,在对各个时期的带结研究基础上,进行总结和整理,从而明晰北朝到五代中原北方佛像带结的演变规律。附图部分是对文章所描述佛像带结的一个图示。
[Abstract]:From the Northern Dynasty to the five dynasties, the rulers made great efforts to create statues of grottoes and Buddhism developed. With the blending of Buddhist culture and Central Plains culture, the tie-knot of Buddha statues also presents diversified characteristics. On the basis of data collection and literature review, this paper classifies, classifies and divides the tie-knot of Buddha statues, generalizes the evolution rules of the tie-knot of Buddha statues in different periods and regions, in order to clarify the style of the tie-knot styles of the Buddha statues from the Northern Dynasty to the five dynasties. Evolution and its spread pattern. The subtle changes in the tie-knot of Buddha statues are related to cultural exchange, aesthetic factors and so on. Therefore, a scientific interpretation of the tie-knot of Buddha statues is carried out, and the whole is seen through a small part of the opportunity, thus showing the rich connotation of the development of Buddhist clothing. Classification is the basis of this paper. The writing frame of this paper consists of four chapters. The first chapter briefly introduces the social background from the Northern Dynasty to the five dynasties, introduces the current situation of the scholars' research on the tie knot of Buddha statues, and clarifies the data sources of the thesis. On this basis, through the overall grasp of the social background, absorb the research results of the scholars, and summarize and analyze the collected data, have a comprehensive idea of the writing of the paper, put forward the innovation of this paper. The second chapter, the third chapter and the fourth chapter, taking time as the context, briefly discuss the tie-knot of the Buddha statues in the Northern Dynasty, Sui and Tang dynasties and five dynasties, and use the typological research method to divide and divide the northern Buddhist statues into different regions and stages. From Northern Dynasty to five dynasties, there is a relatively accurate understanding of the tie knot in the north of the Central Plains from the Northern Dynasty to the five dynasties. The conclusion part, on the basis of the research on the tie knot in each period, summarizes and arranges the evolution law of the north Buddha statues from the Northern Dynasty to the five dynasties in the Central Plains. The attached section is an illustration of the knotted image of the Buddha described in the article.
【学位授予单位】：山西大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：K879.3

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