西夏文物上的牡丹纹与莲花纹研究

发布时间：2019-05-29 02:46

【摘要】：本文对目前所见的西夏文物上的牡丹纹、莲花纹进行考古类型学的研究,将其发展的阶段分为三期,第一期为建国初期至惠宗秉常年间(公元1038-1086年),牡丹纹还未流行,而莲花纹已作为一种主流纹饰广泛运用。第二期为惠宗秉常后期至桓宗纯yP年间(公元1086-1206年),牡丹纹进入了快速发展时期并日趋成熟,莲花纹继续发展,但样式已不如之前丰富。第三期为桓宗纯yP后期至末帝wM(公元1206-1227年),这时期的牡丹纹和莲花纹都已进入了衰落期。通过三个时期的演变发展整理出这两种主要纹饰系统的变化发展过程,总结出西夏时期牡丹纹和莲花纹的风格特征,认为其纹饰纷繁复杂的变化有其本民族自身的特点,也离不开周边民族和文化对其的影响,在学习和摸索中不断吸收更优秀的文化的同时,融合自身的民族风格,最终形成了其独一无二的牡丹纹和莲花纹,最后对个别带有莲花纹和牡丹纹的文物年代问题进行了相关讨论。
[Abstract]:In this paper, the archaeological typology of peony pattern and lotus pattern on Xixia cultural relics is studied, and the development stage is divided into three stages. the first stage is from the beginning of the founding of the people's Republic of China to Huizong Bingchang (AD 1038-1086), and the peony grain is not yet popular. Lotus pattern has been widely used as a mainstream decoration. The second phase is from the late period of Huizong Bingchang to Huanzong pure yP (AD 1086-1206). The peony grain has entered a period of rapid development and matured day by day, and the lotus pattern continues to develop, but the style is not as rich as before. The third stage is Huanzong pure yP from the late stage to the last emperor wM (AD 1206-1227). The peony lines and lotus lines in this period have entered the decline period. Through the evolution and development of the three periods, this paper arranges the change and development process of these two main ornamentation systems, sums up the style characteristics of peony grain and lotus pattern in the Western Xia Dynasty, and holds that the complicated changes of their ornaments have their own national characteristics. It can not be separated from the influence of the surrounding nationalities and cultures on it. While learning and groping, it constantly absorbs better culture, merges its own national style, and finally forms its unique peony pattern and lotus pattern. Finally, the age of cultural relics with lotus pattern and peony pattern is discussed.
【学位授予单位】：兰州大学
【学位级别】：硕士
【学位授予年份】：2016
【分类号】：K876.3

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