唐墓壁画中的文化意蕴——以唐韦贵妃墓啸伎图为中心
发布时间：2019-07-05 05:33
【摘要】：在昭陵唐太宗妃韦氏墓出土一组乐舞壁画。此组乐舞壁画大小均等共10幅,将十位正在起舞弄乐的女伎置于相对独立画面中,以图像的形式再现了李唐王朝的社会变迁和风俗礼仪,内含丰富的文化意蕴和象征意义。本文以啸伎图展开探讨,旨在说明,啸作为中古时期较为特殊的一种音乐表现手法,彰显了中古士林自我情趣的狂放自由和道教通灵升仙的隐秘色彩。
文内图片：
图片说明：舞伎和击磬伎
[Abstract]:A group of music and dance murals were unearthed at the tomb of Princess Wei of Tang Taizong in Zhaoling. This group of music and dance murals have a total of 10 equal sizes. Ten female kabuki who are dancing and playing music are placed in a relatively independent picture, and the social changes and customs and etiquette of the Li and Tang dynasties are reproduced in the form of images, which contain rich cultural implication and symbolic significance. The purpose of this paper is to show that Xiao, as a special musical expression technique in the Middle Ages, shows the wild freedom of the self-interest of the Middle Ancient Shilin and the secret color of Taoist psychic promotion to immortals.
【作者单位】： 陕西师范大学音乐学院;
【基金】：2015年国家社会科学基金项目(项目号:15BMZ031) 陕西省社会科学基金项目(2014I06) 陕西师范大学教师教育研究项目(JSJY2015J12)研究成果
【分类号】：K879.41
文内图片：
图片说明：舞伎和击磬伎
[Abstract]:A group of music and dance murals were unearthed at the tomb of Princess Wei of Tang Taizong in Zhaoling. This group of music and dance murals have a total of 10 equal sizes. Ten female kabuki who are dancing and playing music are placed in a relatively independent picture, and the social changes and customs and etiquette of the Li and Tang dynasties are reproduced in the form of images, which contain rich cultural implication and symbolic significance. The purpose of this paper is to show that Xiao, as a special musical expression technique in the Middle Ages, shows the wild freedom of the self-interest of the Middle Ancient Shilin and the secret color of Taoist psychic promotion to immortals.
【作者单位】： 陕西师范大学音乐学院;
【基金】：2015年国家社会科学基金项目(项目号:15BMZ031) 陕西省社会科学基金项目(2014I06) 陕西师范大学教师教育研究项目(JSJY2015J12)研究成果
【分类号】：K879.41
【参考文献】
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