心手双畅:毛泽东草书的嬗变历程与艺术成就

发布时间：2018-02-27 15:23

本文关键词： 毛泽东书法草书　出处：《党的文献》2016年06期 　论文类型：期刊论文

【摘要】：毛泽东的书法生涯,经历了青少年时期的楷书学习、中年时期的行书拓展,自1949年前后,开始进入草书阶段。随后他临池不辍,其书法在经历了小草、大草的创作实践后,大约在1963年前后,进入到狂草的阶段,完成了其书法草书由"有法"到"无法"的升华。毛泽东的草书,是建立在长期书写实践基础上,进而对书法艺术主动追求的结果,是对书法传统进行"取法"与"破法"辩证扬弃的典范,开辟了"帖学"书法在20世纪新的审美境界。
[Abstract]:Mao Zedong's calligraphy career experienced the study of regular script as a teenager, and the extension of running script in middle age. Since 1949, Mao Zedong has entered the cursive writing stage. Then he stopped by the pool, and his calligraphy has gone through the creative practice of grass and grass. Around 1963, it entered the stage of craziness, and completed the sublimation of its cursive calligraphy from "having laws" to "not being able." Mao Zedong's cursive script was based on long-term writing practice and was the result of active pursuit of calligraphy art. It is a model of dialectical sublation of the tradition of calligraphy, which opens up a new aesthetic realm of calligraphy in 20th century.
【作者单位】：中共中央文献研究室;
【分类号】：A841.5

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