中古时代石城莫愁与大堤艳姬的历史表征与历史本相

发布时间：2018-01-25 14:18

本文关键词： 中古时代石城莫愁大堤艳姬历史表征历史本相　出处：《史学月刊》2015年04期 　论文类型：期刊论文

【摘要】：在中国文化史上长久占据一席之地的、典型而多变的"莫愁"符号,其最初的人物原型为南朝石城的歌伎莫愁,歌伎莫愁又为活跃在汉水大堤的艳姬群体成员。石城莫愁之个体、大堤艳姬之群体,共同构建了中古时代襄沔地区作为历史表征的区域人文景观。而这样的人文景观之形成,缘于诸多历史本相元素的共同形塑。先秦以来,襄沔地区的汉水大堤、楚地的女子好游风俗以及地域记忆中的神女想象情结,为大堤艳姬群体的产生提供了基本条件;魏晋时期,襄沔地区便捷的水陆交通条件与四方凑会的地缘优势,吸引南方蛮族大量北迁、西北胡人频密东徙,加之地方特产宜城美酒的名声渐起,最终导致大堤艳姬群体的生成与为人熟知,而其代表人物"莫愁女"亦逐步成为文人争相吟咏与记忆的文化意象。
[Abstract]:In the history of Chinese culture, a typical and changeable symbol of "Mo sorrow", the archetype of its original character is the kabuki of Shicheng in the Southern Dynasty. Kabuki Mo sorrow is also active in the Han River dyke Yan Ji group members. Shiicheng Mo worry individual Dadi Yan Ji group. The formation of such a cultural landscape is due to the common formation of many historical elements. Since the pre-Qin Dynasty, Xiangmian region of Han River embankment. The folklore of women in Chu and the imaginary complex of gods in the memory of the region provide the basic conditions for the generation of Dadi Yan Ji group. During the Wei and Jin dynasties, the convenient land and water transportation conditions and the geographical advantages of the parties in Xiangmian region attracted a large number of barbarians from the south to move northward, and the Huren in the northwest moved frequently to the east, and the local specialty Yicheng wine gradually gained a reputation. Finally, it led to the formation and familiarity of the Dadi Yan Ji group, and its representative character, Mo Zu Nu, gradually became the cultural image of the literati chanting and remembering each other.
【作者单位】：香港城市大学中文及历史学系;
【分类号】：K24;K901.6
【正文快照】： 莫愁或称莫愁女,作为上自南朝、下迄明清乃至现代的典型而多变的文学形象与人物传说,历代有关的诗词曲赋既多1,古往今来的民间故事也是经久不衰、历久弥新2。而粗略梳理这些文学形象与传说人物,即可感知其地域播迁的广泛、形象演变的复杂、传说版本的纷繁各异。要而言之,文学

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