十八世纪中英音乐文化的交流及其历史启示

发布时间：2018-06-21 23:54

本文选题：中英 + 音乐交流　；参考：《中原文化研究》2016年05期

【摘要】：18世纪前中期的中英音乐文化交流,主要体现在华传教士有关中国音乐的二手论述中。法国耶稣会士杜赫德的《中华帝国全志》中有关中国音乐的介绍以及负面论述对英国人认识中国音乐产生了很大影响。此外,法国耶稣会士钱德明对中国音乐有深入研究,向欧洲系统介绍了中国音乐且多积极评价。18世纪晚期,英国马戛尔尼使团访华,是中英音乐文化的直接面对面接触,促进了中英音乐的双向交流。由于中英双方均存在的文化沙文主义以及文化虚骄心态,使这次音乐交流在深度、广度上均流于浮面;英国使团成员对中国音乐颇多负面评价,但客观上也将部分中国乐曲以及乐器介绍给西方,使西方对中国音乐的了解进一步加深。这次文化交流,也为在当今世界多元文明的语境中,异质文化的交流应该遵循什么样的原则以及保持什么样的文化心态提供了有益的镜鉴。
[Abstract]:The cultural exchange of Chinese and English music in the early and middle of the 18 th century was mainly reflected in the second hand exposition of Chinese music by Chinese missionaries. The introduction and negative argumentation of Chinese music in French Jesuit Duchard's the whole History of the Chinese Empire had a great influence on the English people's understanding of Chinese music. In addition, the French Jesuit Chan Deming made an in-depth study of Chinese music, introduced Chinese music to the European system, and made more positive comments. In the late 18th century, the visit of the Macartney mission to China was a direct face-to-face contact between Chinese and British music culture. Promote the two-way exchange of Chinese and English music. As a result of the cultural chauvinism and cultural arrogance that exist between China and Britain, this music exchange has been deeply and widely shared. Members of the British Mission have quite a lot of negative comments on Chinese music. But objectively, some Chinese music and musical instruments were introduced to the West, which further deepened the western understanding of Chinese music. This cultural exchange also provides a useful lesson for the exchange of heterogeneous cultures in the context of multiple civilizations in today's world what principles should be followed and what kind of cultural mentality should be maintained.
【作者单位】：河南大学历史文化学院礼学研究所;
【分类号】：K103

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