内蒙古乌珠穆沁马鞍造型艺术研究

发布时间：2018-02-03 00:05

本文关键词： 乌珠穆沁马鞍制作技艺造型艺术传承发展　出处：《内蒙古大学》2014年硕士论文　论文类型：学位论文

【摘要】：由于蒙古族热爱马并且善于装饰马,所以蒙古人从古至今都很重视马具,特别是马鞍的材质选择、造型款式、颜色搭配及工艺技法。一副耐用并亮丽的马鞍所展示的不仅是蒙古人善于装饰的天性,同时也展示了蒙古人的艺术天赋和审美情趣,可以说是在很大程度上汇集了蒙古族的历史与人文情怀。本文就是通过对蒙古马鞍历史发展的描述,针对乌珠穆沁马鞍独特的工艺传承,展示出中国北方草原游牧民族的文化传承和不同民族工艺间的交融,并在此基础上形成的蒙古马文化特色。笔者以为蒙古马鞍做为蒙古民族工艺品中最有有代表性的一种,讲述了蒙古人这个马背民族与马、马鞍的特殊情感,展示出蒙古族制作的马鞍具既实用又具有艺术美的双重功能,其马鞍制作的诸种细节无不体现了蒙古人的智慧和巧思,使人们从这一视角更多地认识和了解属于中国北方游牧民族的蒙古族所展现出来的草原文化艺术的魅力。本文通过对内蒙古乌珠穆沁马鞍的制作工艺的实地考察,详实地记录了当地蒙古族马鞍的制作工艺以及传承情况,并从以下几个方面来进行了具体的论述：在引言部分,笔者对研究对象的选题意义、研究方法及研究现状阐述了自己的观点；在第一部分,笔者对蒙古马鞍的发展历史及类型划分进行了梳理；在第二部分,笔者根据对内蒙古乌珠穆沁马鞍制作技艺的田野调查材料,记录了乌珠穆沁蒙古马鞍的工艺制作流程,并对其造型特点进行了归纳和总结；第三部分是在实地调查的基础上,根据乌珠穆沁马鞍的独特形态对其民族文化内涵进行分析探讨；最后一部分,则是根据内蒙古乌珠穆沁马鞍的发展现状,特别是对其工艺传承的情况进行反思,并展示笔者前瞻性、建设性的思考,目的是通过理论研究的视角,使这项民族传统手工艺如何在现实生活中能够得到应有的保护以延长其生命力。
[Abstract]:Because the Mongols love horses and are good at decorating horses, the Mongols have attached great importance to horses, especially saddle material selection, style. Collocation and craftsmanship. A durable and beautiful saddle shows not only the Mongolian nature of being good at decoration, but also the artistic talent and aesthetic taste of the Mongols. It can be said that to a large extent, the Mongolian history and humanistic feelings. This article is through the historical development of Mongolian saddle description, in view of the unique heritage of Wuzhoumuqin saddle. It shows the cultural heritage of nomadic peoples in northern China and the blending of different ethnic craftsmanship. And on this basis formed on the basis of Mongolian horse culture characteristics. The author thinks Mongolian saddle as the Mongolian national handicraft most representative one, narrates the Mongolian this horse back nationality and horse, saddle special emotion. It shows that the horse saddle made by the Mongols is both practical and has the dual function of artistic beauty. All kinds of details of its saddle production reflect the wisdom and ingenuity of the Mongols. From this perspective, people can learn more about the charm of grassland culture and art displayed by the Mongolian people who belong to the nomadic nationality of northern China. Through the field investigation of the making technology of Wuzhoumuqin saddle in Inner Mongolia, this paper records the local Mongolian saddle making technology and inheritance situation in detail. And has carried on the concrete elaboration from the following several aspects: in the introduction part, the author elaborated own viewpoint to the research object selected topic significance, the research method and the research present situation; In the first part, the author sorts out the history and classification of Mongolian saddle. In the second part, according to the field investigation materials of the making technique of Wuzhimuqin saddle in Inner Mongolia, the author recorded the process of making the Mongolian saddle, and summarized its styling characteristics. The third part is on the basis of field investigation, according to the unique form of Wuzhoumuqin saddle to analyze the connotation of its national culture; The last part is based on the development situation of Wuzhoumuqin saddle in Inner Mongolia, especially the reflection on the inheritance of its craft, and shows the author's forward-looking and constructive thinking. The aim of this paper is to make this national traditional handicraft obtain the proper protection in real life and prolong its vitality through the perspective of theoretical research.
【学位授予单位】：内蒙古大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：K892.2

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