传统与现代之间：白村手工技艺的传承研究

发布时间：2018-03-06 03:01

本文选题：手工技艺　切入点：传承　出处：《云南民族大学》2014年硕士论文　论文类型：学位论文

【摘要】：利益追逐往往会使人不自觉的抛弃了成长的初衷，那么，代价就是丧失了部分本源与灵魂。传统手工技艺身处现代社会之中，“传统”的头衔使其更具有存在感，它虽是历史的产物但却活跃于现代社会之中，技艺传承这一行为是技艺存活的印证，那么这一过程也就经历了自传统社会至现代社会以至未来社会的某一时间点，然而，传统技艺的核心就在于传统，更需要传承人去刻意感知与遵守，不仅仅是传承人，每个持有该文化的人都应去保持、去善待。笔者想通过白村现状来分析其动态的传承环境对技艺本体的影响，以期发现传承环境对所谓“传统”的重要作用，当然，促使传承环境变化的不仅是内因技艺本身发展的结果，，而更加具有直观效果的当属旅游经济下公司的进驻及政府的扶持与积极的引导。尤其是近年来，白村的传承环境发生了巨大变化，那么，它也开始反作用于技艺本体。虽然公司看似对传承环境的改变贡献最大，但其对传统文化的传承却处于次要的位置，而技艺的传承则依然强依赖于“传统”文化的持有者，也是由他们延续着技艺的内核。故传承环境的改变催化了他们间的对话，当然不仅只体现的是一种利用与被利用的关系。在相互影响与交往中，问题突显，而对技艺的保护还须拉回到技艺传承本身上，作为技艺的本体在面临多个传承主体对“传统”的不同解读时应该展现它的弹性。全文包括以下部分：一、绪论：在引出问题的基础上，通过对过往技艺传承研究以及对白村技艺传承的研究的细致梳理，笔者发现，对待传统文化的传承研究应更加立足于微观，立足于当下，“传统”的技艺与“现代”的社会、环境相嵌入、相依存。二、第一章：本章着重对田野调查地点做了基本的介绍，并说明了具体运用的调查方法。以引出笔者的研究内容并对白村技艺传承的个性做了简单的梳理，来表现白村技艺传承中所呈现的个性。三、第二章：切入主题，传承环境的变化对技艺而言是最直接的影响因素，而传承环境的巨大改善得益于多方共同的努力，技艺本身对传承地的拓展功不可没，而传承原地的自我发展则更像依赖了“非传统”的存在，技艺的传承寓于传承环境之中，传承环境也将反作用于其本身。四、第三章：提及改变传承环境的主要力量及技艺在环境中的传承，不可避免的会涉及到当地的两种主要传承主体，而他们对技艺传承理念的不同则需要长时间的磨合，磨合的痕迹显而易见，当然褒有相互的质疑和潜藏的辩解与争执，这一过程更需要的是“传统”持有者对技艺的坚守，政府作为第三方的“援手”以及对技艺本身内涵的动态理解,另外，技艺的文化核心在于“手”的稳定与“技”的合理摇摆。五、结语：传承环境对技艺本体影响下的诸多问题，阐明了笔者对技艺传承、保护的观点，呈现了白村技艺传承中传承环境的变化与技艺间的相互作用，透过技艺面临多元困境的局面，进一步阐释传承环境及多方传承主体合力对技艺的传承具有重要意义，而传承与现代之间的技艺传承也许更需要人为的或刻意的对传统的坚守以及传统技艺自身的不断调适性发展。
[Abstract]:The pursuit of interest often makes people unconsciously abandon the original intention of growth, then the cost is to lose part of the source and soul.
The traditional crafts in modern society, the "traditional" title has a stronger sense of presence, although it is a product of history but active in modern society, art heritage it is a survival skill confirmed, then this process has experienced from a certain point of time, the traditional society to the modern society and in the future society. However, the core of traditional skills is the traditional, more people need to inherit to deliberate perception and compliance, is not only the inheritance person, each person should hold the culture to maintain, to treat.
The author wants to analyze the current situation through the white village to affect the dynamic environment of art ontology inheritance, in order to find the inheritance environment to the so-called "traditional" important role, of course, the inheritance of environmental change is not only due to the result of the development of art itself, and more intuitive effect among companies and in tourism economy government support and positive guidance. Especially in recent years, great changes have taken place in the village, white heritage environment so it begins to react on the art ontology. Although the company seems to change the largest contribution to the heritage environment, but the traditional cultural heritage is in the secondary position, and the transmission of skills is still the strong dependence of the "traditional" cultural holders, also by their continuation techniques. Therefore, the change of the environment kernel inheritance catalyze their conversation, of course, not only embodies a kind of use and The relationship of use. In the interaction and interaction, the problem is highlighted, and the protection of skills must be returned to the inheritance of technology itself. As the noumenon of technology, it should show its elasticity when facing multiple heritage subjects' different interpretations of tradition.
The full text includes the following parts:
One, introduction: Based on the problems, based on the past research and Research on Art Heritage Village art heritage of meticulous combing, the author found that the treatment of traditional cultural heritage should be based on the micro, based on the present, "traditional" and "modern art" of the social environment, embedding. Interdependence.
Two, the first chapter: this chapter mainly introduces the field investigation site, and illustrates the specific application of the survey method, so as to lead the author's research content and make a brief combing of the personality of Bai Cun's art inheritance, so as to show the personality presented in the inheritance of Bai Cun's skills.
Three, the second chapter: the theme, change of inheritance environment is the most direct factor of skill, and great improvement in the transmission environment thanks to the joint efforts of the development of art itself inheritance contributed, and inheritance place of self-development is more like to rely on "unconventional" existence the transmission of skills in inheritance, environment, cultural environment will also be counterproductive in itself.
Four, the third chapter mentions the main force and skill change transmission environment inheritance in the environment, inevitably involves two main body of the local heritage, and their inheritance ideas of different skills need long time running, running when there are traces obviously, the question and the hidden excuse and dispute however, praise, this process is in need of more "traditional" techniques to holders of the stick, the government as the third party of the "hand" and the connotation of the dynamic understanding of art itself, in addition, the cultural core skills is "hand" stable and reasonable swing "technique".
Five, the environmental problems of inheritance under the influence of art ontology, the author clarifies the art heritage, protection point of view, showing the interaction between environmental change and art heritage of the Bai village art heritage, through multiple skills facing dilemma, further explanation of inheritance and multi subject inheritance environment has important significance force on transmission of skills and craftsmanship and modern inheritance between the need of human or perhaps more deliberately on the traditional stick and traditional skills continuously adaptive development.

【学位授予单位】：云南民族大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：K892.2

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