论“有文在其手”的人文传统

发布时间：2018-04-13 16:53

本文选题：有文在其手 + 谶纬　；参考：《文化遗产》2017年04期

【摘要】："有文在其手"一语,本出自《左传》,即指在人手中形成近似汉字的掌纹。从汉字的源流角度考察"有文在其手",在由"画成其物"到笔划规范的演进过程中,汉字与人类手中掌纹产生的某些共性,为"有文在其手"的"存在"提供了客观的条件。在中国古代,"有文在其手"呈现的意义与文字象形、谶纬信仰、姓氏文化、诗文用事有关。其所构建的人文传统,是一个既具有内在关联,同时却存在非连续性的的意义序列。"有文在其手"的内涵与外延,为传统文化提供了充足的知识资源。
[Abstract]:The phrase "having a text in his hand", originally from Zuo Zhuan, refers to the palmprint of a Chinese character in the hand of a person.From the angle of the origin and stream of Chinese characters, the article is in its hand. In the process of evolution from "painting into its object" to the stroke norm, some commonalities between Chinese characters and human palmprint provide objective conditions for the "existence" of "having text in its hand".In ancient China, the meaning of "having a text in its hand" is related to the pictogram of characters, the belief of prophecy, the culture of surnames and the use of poetry and prose.The humanistic tradition it constructs is a sequence of meanings that is both intrinsically connected and discontinuous at the same time. "The intension and extension of the article in its hand provide sufficient knowledge resources for the traditional culture.
【作者单位】：中山大学中文系;
【基金】：国家社科基金重大课题“中国古代文体学发展史”(课题编号:10&ZD102) 中山大学2017年度高校基本科研业务费青年教师培育项目“清人注清诗”(项目编号:17wkpy89)的阶段性成果
【分类号】：G122

【相似文献】