民族文化经典的“再地方化”——“阿诗玛”回归乡土的个案

发布时间：2018-06-22 21:41

本文选题：去地方化 + 再地方化　；参考：《新闻与传播研究》2017年05期

【摘要】：借用人类学的"再地方化"概念作为理论工具,在田野调查基础上,解读自20世纪80年代、90年代以来,已被"去地方化"的"阿诗玛"如何被"再地方化",并成为地方和族群的文化资本的过程可以发现,在先后涉及国家建设和全球化的中国现代化进程中,少数民族的地方文化既有"去地方化"式的挪用,也伴随着"再地方化"型的重塑。地方与国家、本地与全球之间并非简单地相对,而是相互渗透;其中既有本土文化借助现代媒介得以彰显的一面,也有"去地方化"的经典艺术符号回归乡土场所的一面,并在其中彰显出少数民族文化经由"地方性"的中介而得以建构的多种可能性。
[Abstract]:By using the concept of "re-localization" of anthropology as a theoretical tool, and on the basis of field investigation, it has been interpreted since the 1980s and 1990s. The process of how the "Ashima", which has been "de-localized", has been "re-localized" and has become the cultural capital of local and ethnic groups, can be found in the process of China's modernization, which has been involved in national construction and globalization. The local culture of ethnic minorities is not only misappropriated in the form of "delocalization", but also remolded with the "re-localization" type. Local and national, local and global are not simply opposite, but permeate each other. Both the local culture can be manifested by the modern media, and there is the classical artistic symbol of "delocalization" returning to the local place. It also reveals the possibility that minority culture can be constructed through the intermediary of "locality".
【作者单位】：云南师范大学传媒学院;
【基金】：国家社科基金项目“‘三江并流’区域多民族传统生态文化族际传播与交流互动研究”(项目编号:16BMZ119)的阶段性成果
【分类号】：G122

【相似文献】