山西太原庙前高跷的传承研究

发布时间：2018-12-25 17:15

【摘要】：山西太原的庙前高跷是独具地方特色的民间传统表演艺术，也是太原地区较出名的社火表演之一。现今，在我国大力提倡“弘扬民间艺术、保护民间文化遗产”大背景下，在社会上消失了三十多年的庙前高跷又一次重生，并迎来了崭新的辉煌，庙前高跷艺术团的成立，非物质文化遗产申报的成功，再加之媒体不断的关注报道，高跷艺人的频频获奖。面对庙前高跷如今的发展，国家、政府和社会的有识之士都给予极大的支持，可庙前高跷的发展并不乐观，人员上面临青黄不接，技能上绝活难以施展，面对这样的现状，这群年纪较大的高跷老艺人使出了浑身解数，想把这门技艺传承。他们先是制定培养传承人的目标；又借着大量的演出来为庙前高跷做宣传；但所做的还远远达不到他们的期望目标，来报名的人寥寥无几，宣传在社会中起不到反响。本文试从庙前高跷的历史本源、文化内涵和发展现状进行简单阐述，，并采访庙前高跷传承人，以两位代表性传承人为主，叙述他们的生活史，从而重点关注庙前高跷的传承方式、特点及现代变迁，对其传承情况做较为系统的探讨。笔者认为，庙前高跷的发展有着太多的困难与问题，首先，社会背景的改变，公众取向的选择，使庙前高跷发展的空间萎缩；其次，传承人老龄化，技艺难以施展，庙前高跷的传承状况面临青黄不接的现状；最后，政府支持力度薄弱，保护机制不完善。由此看来，庙前高跷想要发展的首要问题，应该是传承问题，如果我们不及时为它寻找传承人，在不久的将来，这一民间文化将会面临失传的危机。笔者希望通过本文可以为庙前高跷的传承提供点可行性意见和建议，同时为庙前高跷探寻一个得以生存的空间。
[Abstract]:Stilt in front of Shanxi Taiyuan Temple is a folk traditional performing art with unique local characteristics. It is also one of the more famous performances in Taiyuan. Nowadays, against the background of promoting folk art and protecting folk cultural heritage in our country, stilts in front of the temple, which has disappeared for more than 30 years in the society, have been reborn again, and ushered in a new brilliance. The art troupe of stilts in front of the temple was established. The success of the declaration of intangible cultural heritage, coupled with the constant media attention, stilts artists frequently won prizes. In the face of the development of stilts in front of the temple today, people of insight from the state, government and society have all given great support, but the development of stilts in front of the temple is not optimistic, people are facing difficulties in developing their skills, and it is difficult to display their skills. In the face of such a situation, The older stilt artists tried their best to pass on the technique. They first set goals for the cultivation of inheritors; they used a large number of performances to promote stilts in front of the temple; but what they did fell far short of their expectations, and there were very few people to sign up for, and propaganda did not reverberate in society. This article tries to briefly explain the historical origin, cultural connotation and development status of stilts in front of the temple, and interview the inheritors of stilts in front of the temple, mainly by two representative inheritors, and narrate their life history. Focus on the way of inheritance, characteristics and modern changes of stilts in front of the temple. The author believes that there are too many difficulties and problems in the development of stilts in front of the temple. Firstly, the change of social background and the choice of public orientation make the space for the development of stilts in front of the temple shrink. Secondly, the aging of inheritors, skills are difficult to display, the inheritance of stilts in front of the temple is faced with the status quo; finally, the government support is weak, the protection mechanism is not perfect. In view of this, the most important issue for the development of stilts in front of the temple should be inheritance. If we do not find the inheritors for it in time, this folk culture will be faced with a lost crisis in the near future. The author hopes that this paper can provide some feasible suggestions for the inheritance of stilts in front of the temple, and at the same time, explore a living space for stilts in front of the temple.
【学位授予单位】：山西师范大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：K892.24

【参考文献】