文化批评的突围——周志强大众文化研究述评

发布时间：2019-02-21 12:15

【摘要】：中国文化批评经历着持续繁荣与增殖。在资本主义新的"政治文化化"策略运作下,文化批评既对现实社会构成了某种批判性姿态,却也陷入倚重差异、宽容话语策略的危机中。周志强教授在他十多年的批评著述中,既对文化批评的可能性进行了多样探索,也试图突破文化批评受控于资本自身对多样性建构的文化陷阱。通过"傻乐主义"、"青春恋物癖"、"唯美主义的耳朵"、"现代主义的现实主义"等一连串语词发明,周志强试图构建一种新的寓言化政治批评。卢卡奇对于"总体性"概念的坚持与本雅明对"寓言"概念的独特理解,成为新的历史情境下,文化批评炸裂符号表象,洞穿资本美学的重要理论资源。一种坚持总体化与政治性的文化批评,一种介入现实亦挑战现实的文化批评,是马克思主义文艺批评的重要实践探索。
[Abstract]:Chinese cultural criticism has experienced continuous prosperity and proliferation. Under the new strategy of "political culturalization" of capitalism, cultural criticism not only constitutes a certain critical attitude to the real society, but also falls into the crisis of relying heavily on differences and tolerating discourse strategies. In his works of criticism for more than ten years, Professor Zhou Zhiqiang not only explored the possibility of cultural criticism, but also attempted to break through the cultural trap that cultural criticism is controlled by capital itself to construct diversity. Zhou Zhiqiang tried to construct a new kind of fable political criticism through a series of words such as "silly music doctrine", "youth fetishism", "aestheticism ear", "modernism realism" and so on. Lukacs' insistence on the concept of "totality" and Benjamin's unique understanding of the concept of "fable" have become an important theoretical resource for cultural criticism to crack the symbol representation and penetrate capital aesthetics in the new historical context. A kind of cultural criticism which insists on collectivization and politics, and a kind of cultural criticism that interacts with reality and challenges reality, is an important practical exploration of Marxist literary criticism.
【作者单位】：天津财经大学人文学院;
【分类号】：G122

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