以技相传、艺工识通——周亮工《印人传》所载印人父子艺事钩沉

发布时间：2018-01-07 04:33

本文关键词：以技相传、艺工识通——周亮工《印人传》所载印人父子艺事钩沉　出处：《史林》2015年06期 　论文类型：期刊论文

【摘要】：清初周亮工所撰《赖古堂印人传》四卷,立传六十篇,共述印人七十三名,而父子皆能治印者计有九对,约略占到总数的四分之一;如果父亲是治印名家,在其年老之后,由儿子代为捉刀以满足求印者之需求的情形则很常见。这一现象颇能凸显篆刻艺术"私相传授""子承父业"之特征;不过,"私相传授""子承父业"的特征,同时恰好映照出在时人眼中,篆刻毕竟并非士人正经事业的真实状况。因此,钩沉当时父子印人的艺术身世,常常只能从一些明末清初别集和钤拓印谱等稀见资料着手,以碑传、唱和诗文、印谱序跋、印文及边款内容等文献,窥探印坛薪火相传之路径,或可对晚明时期艺术上古典经典权威之式微、雅俗文化之间的交互和融贯提供新的视角。
[Abstract]:At the beginning of the Qing Dynasty by Zhou Lianggong, "Lai Gu Tang India people pass > four volumes, sixty articles were printed on the biography, seventy-three, and his son are making nine of total energy, approximately accounted for 1/4 of the total; if the father is making famous in its old age, by his son for ghost to meet the needs of India the situation is very common. This phenomenon is to highlight the carving art of" private teaching "" dynastic "characteristics; however, the" private teaching "" dynastic "characteristics, at the same time just reflected in the eyes of the time, after all, is not the cause of the seal serious real situation. Therefore in, when father and son India people the art of life, often only from the late Ming Dynasty and early Qing Dynasty and other rare yinpu such as Bell extension data to the tablet, responsory poetry, yinpu BianKuan seal and prefaces, content of literature, see India altar path passing the torch, and the late Ming Dynasty by classical art Micro code authority, the interaction between the popular culture and coherence to provide a new perspective.

【作者单位】：复旦大学中文系;上海社会科学院历史研究所;
【基金】：中国博士后科学基金第56批资助项目(2014M560283)成果
【分类号】：K249
【正文快照】： 清初周亮工所撰《赖古堂印人传》四卷,立传六十篇,不仅记载印人本事,更同时涉及明中叶至清顺康之际大量艺术史料。其书宗旨为以印存人,一则述篆刻源流正变之轨迹,一则叙文士印人交游之概略,涵盖范围至广,举凡当时社会、历史、文化等层面皆有描述,多为作者亲见亲闻之第一手资料

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