清前期宫廷绘画机构及画家

发布时间：2018-05-06 13:25

本文选题：画作 + 画院处　；参考：《中央民族大学》2006年硕士论文

【摘要】：本文在综合分析《钦定大清会典事例》、《钦定总管内务府现行则例》、《内务府造办处各作成做活计清档》、清人笔记、传教士书简、清画史、画论及前人研究成果的基础上，拟从“机构”和“画家”两个层面，探讨清前期宫廷绘画机构的建制和管理。“机构”层面，分三个阶段论证了清前期宫廷绘画机构从画作、画院处到如意馆的变迁，同时对前人在这一领域未涉及及有纰漏的问题进行了探讨和澄清；“画家”这一层面主要是从清前期宫廷画家的纳选、待遇、赏罚、职能、培养、衣食住行、人际关系等多方面进行分析，进一步探讨当时宫廷绘画机构的管理和运作。通过以上两个层面的研究，本文得出结论：清前期宫廷绘画机构经历了一个动态的演变过程。康、雍时期，由画作统管整个宫廷的绘画创作；乾隆元年至二十年，画作的职权范围不断缩小，画院处成为此时期的专门机构，负责协调和管理众绘画处的运作；乾隆二十年以后，绝大多数优秀的宫廷画家和主要的宫廷绘画活动都逐渐集中于如意馆，由它在事实上担负起管理宫廷绘画事务的职能。此时期的宫廷画家虽然摆不脱御用的工作性质，，却拥有较活跃的工作氛围；他们的社会地位虽然不高，但从衣、食、住、行诸方面来看，却享有较丰厚的物质待遇；他们的工作环境虽然不尽人意，但其工作本身却得到了统治者的支持和关心；对学生的培养虽然都是从内府包衣中选拔，但
[Abstract]:This paper is based on a comprehensive analysis of the "examples of the Qing Dynasty in Qinding", the "current Code of principles" of the General Administration of Internal Affairs, the "work done by the Ministry of Internal Affairs", the notes of the Qing Dynasty, the brief books of missionaries, the history of Qing paintings, the theory of painting and the achievements of previous studies. This paper discusses the establishment and management of court painting institutions in the early Qing Dynasty from the two aspects of "organization" and "painter". At the level of "organization", it demonstrates the changes of the court painting organization in the early Qing Dynasty from painting, painting school to Ruyi Pavilion. At the same time, it discusses and clarifies the problems that the former did not involve in this field. "Painter" is mainly from the early Qing Dynasty court painter selection, treatment, reward and punishment, functions, training, clothing, housing and human relations, and other aspects of the analysis, further explore the court painting institutions at that time management and operation. Through the above two levels of research, this paper draws a conclusion: the court painting institutions experienced a dynamic evolution in the early Qing Dynasty. During the period of Kang, Yong, the painting was in charge of the whole palace painting creation; from the first year to twenty years of Qianlong, the scope of authority of the painting was continuously reduced, and the painting institute became the special organization of this period, which was responsible for coordinating and managing the operation of the painting office. Twenty years after Qianlong, the vast majority of outstanding court painters and main court painting activities were gradually concentrated in Ruyi Pavilion, which in fact assumed the function of managing court painting affairs. The court painters of this period had a more active working atmosphere, although their social status was not high, they enjoyed rich material treatment from the aspects of clothing, food, housing and travel. Although their working environment is unsatisfactory, their work itself is supported and concerned by the rulers.
【学位授予单位】：中央民族大学
【学位级别】：硕士
【学位授予年份】：2006
【分类号】：K249

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