南宋四明史氏家族及其文学研究

发布时间:2018-05-12 11:05

  本文选题:史氏家族 + 相门 ; 参考:《暨南大学》2009年博士论文


【摘要】: 南宋四明史氏家族号称相门,政治个性与表现较为突出,文学创作及影响也自有特色。绪论部分主要介绍本论文的研究对象、研究现状及研究思路。正文分为五章。第一章、《史氏家族的发展与评价》。史氏家族的发展经历了从一介寒族到地方望族再到相门之家并迅速衰落的过程,其中关键成员如史才、史浩、史弥远等以出色表现直接促进了家族的政治崛起、经济上升与文化塑造。建国以前人们对于史氏家族的各种评论主要集中在和战与用人两大主题上,众说纷纭,针锋相对。两大评论文体——史志传记与笔记小说则载记各异,呈现出不同的言说风貌。第二章、《史氏家族的政治崛起与表现》。史氏家族与赵宋皇权之间的密切关系是史氏相权的强大保证。这一政治传统由史浩首建,经史弥远发扬光大,并惠及后世。为相期间,史浩与张浚纷争不断,在战守异议的表面下隐藏着国是之争、职权之争及处事之争的本质;作为与之关联密切的一段公案,王十朋论史浩虚实互存,值得辨析。史弥远废济王、立理宗,引发了相权与公议的对抗,胡梦昱案是个中典型。第三章、《史浩文集与诗词创作》。史浩《郧峰真隐漫录》由周铸编集于绍熙二年,以《四库全书》本与《宋集珍本丛刊》本最为常见,应用性、政治性突出,在家族文献、地方文化、文艺研究方面具备重要价值。其中的诗词作品深受某种制度或文化的影响,如宫廷供奉诗之于王府官制、酬唱诗之于休沐制度、归隐诗词之于四明仙隐文化等,皆是如此。虽文学性不高,个性特点却很突出。第四章、《史浩(郧峰真隐大曲)》。史浩大曲之变表现在以摘遍为大曲、以词调入大曲,据此可以纠正王国维的若干误断。以宫廷宴飨文化相观照,史浩大曲的创作背景、主体条件及艺术特征可得以说明。第五章、《史弥远与江湖诗案及滑稽戏》。围绕着江湖诗案,史氏相党与江湖诗人之间存在分立、冲突与消解的关系,与之相适应,诗也实现了群、怨或颂的功能转换。滑稽戏以宰相为主要嘲谑对象,史弥远与它的关系是其中的的一个缩影。附录有《史浩诗歌酬唱考》、《史浩佚作辑补》两种。
[Abstract]:The four Ming Shi's family in the Southern Song Dynasty is known as "Xiangmen", political personality and performance are more prominent, literary creation and influence also have their own characteristics. The introduction part mainly introduces the research object, the research present situation and the research thought. The text is divided into five chapters. Chapter one, the Development and Evaluation of the Shi Family. The development of the Shi family experienced a rapid decline from the Han clan to the local distinguished clan and then to the Xiangmen family. The key members, such as Shi Cai, Shi Hao, Shi Mai Yuan, and so on, directly promoted the political rise of the family with outstanding performance. Economic rise and cultural shaping. Before the founding of the people's Republic of China, people's comments on the Shi family mainly focused on the two major themes of war and employment. The two critical styles-biographies and note-taking novels show different styles of expression. Chapter two, the political rise and performance of the Shi Family. The close relationship between the Shi family and the imperial power of the Zhao and Song dynasties is the strong guarantee of Shi Xiangquan. This political tradition was first founded by Shi Hao, through Shi Mai carried forward, and benefited later generations. During this period, the disputes between Shi Hao and Zhang Jun were incessant, and under the surface of the dissent between the defense and the war, there was the essence of the struggle for the state, the power and the handling of affairs; as a public case closely related to it, Wang Shipang discussed the existence of Shi Hao's vanity and reality, which was worthy of discrimination and analysis. Shi Mengyu's case of Hu Mengyu is a typical one. Chapter three, the works of Shi Hao and his Poems. Shi Hao "Yunfeng True Hidden Compendium" was compiled by Zhou Ju in Shaoxi two years. The most common books were "Siku Guanshu" and "Song Ji rare Books" series, which were applied and politically prominent, in family documents and local culture. Literature and art research has important value. The poetry works are deeply influenced by a certain system or culture, such as the court offering poems to the royal government system, singing poems to the Xiusu system, returning poems to the four immortals culture and so on. Although literariness is not high, individual character is very outstanding however. Chapter four, Shi Hao (Yunfeng Zhenyin Daqu). The change of Shi Hao's Daqu is as follows: to pick everything as a big song, and to use words to put it into Daqu, according to which some misunderstandings of Wang Guowei can be corrected. In the view of court banquet culture, Shi Hao's creation background, subject conditions and artistic features can be explained. Chapter V, Shi Mai Yuan and the case of quack poetry and farce. Around the case of quack poetry, there is a separation, conflict and deconstruction between the Shi's party and the poet. In accordance with it, poetry also realizes the functional transformation of group, resentments or praises. The relationship between Shi Mai and the prime minister is the epitome of the farce. The appendix includes Shi Hao's Poems and songs, and Shi Hao's compilation of lost works.
【学位授予单位】:暨南大学
【学位级别】:博士
【学位授予年份】:2009
【分类号】:K245;I206.2

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