“崇雅黜俗”:北宋东京士人交游圈的审美风尚——以苏轼为中心

发布时间：2018-07-01 20:07

  本文选题：北宋士人 + 东京　； 参考：《江汉论坛》2014年09期

【摘要】：东京作为北宋的政治、经济、文化中心,也是士人以艺术为媒介进行交游的文化空间。通过日常的交游和雅集活动,苏轼、范镇、王诜、黄庭坚等不同身份、家世背景的人在东京不同方位的住宅、庭园、寺观等文化空间里经常饮酒、诗画酬唱、相互品评,形成一个相对松散和稳固的交游圈,实现彼此的身份和文化认同,表现出"崇雅黜俗"的审美趣味,共同营造富有时空特色的社会文化氛围。这种审美区隔传达了当时新兴的文人士大夫阶层的自我身份认同以及强烈的责任感,也与儒、道、禅思想的渗透有关,对其后的文人艺术产生了深远影响。
[Abstract]:Tokyo, as the political, economic and cultural center of the Northern Song Dynasty, is also a cultural space for the scholars to travel with art as the medium. Through daily travel and elegant collection activities, Su Shi, Fan Town, Wang Shen, Huang Tingjian and other different identities, people in the family background are often drunk in different cultural spaces, such as houses, gardens, and monasteries in Tokyo, and poems and paintings. Mutual evaluation, forming a relatively loose and stable circle of communication, realizing the identity and cultural identity of each other, showing the aesthetic taste of "adore elegance and Disgrace", and jointly create a social and cultural atmosphere with space-time characteristics, which conveys the self identity and strong sense of responsibility of the new literati and doctors at that time, as well as the strong sense of responsibility. The infiltration of Confucianism, Taoism and Zen thought had a profound influence on the later literati art.
【作者单位】： 东南大学艺术学院;
【基金】：国家社会科学基金项目“宋代墓葬图像的文化与审美研究”(项目编号:13BZ092)之阶段性成果
【分类号】：K244
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本文编号：2089011