从“妖档”到“妇女之光”—近代社会变迁下的普余社女弹词研究

发布时间：2018-02-02 21:58

本文关键词： 普余社女艺人男女拼档　出处：《上海师范大学》2017年硕士论文　论文类型：学位论文

【摘要】：苏州评弹是一门古老而优美的说唱艺术。近代以来,苏州评弹以其雅俗共赏的文化内涵,深深浸润在江南社会中,成为江南民众日常生活的重要组成部分。民国初年,在妇女解放思潮的影响下,职业女弹词群体逐渐形成,打破了评弹演艺市场中男性占主导地位的性别格局,由男女拼档引发的说书纠纷在当时的社会产生了一定的影响。20世纪三十年代,女艺人为了打破光裕社男艺人对于说书业的垄断,成立了行业组织普余社。女艺人为求生存,在一些男艺人的推动下,以男女职业平等为由与光裕社展开斗争,并最终寻求到了职业平等的权利。随着上海沦为“孤岛”,租界内娱乐业文化的繁盛和大众的消费需求使得普余社迎来了发展的黄金时期。女艺人们在融入大众文化的过程中,她们的社会参与、情感挣扎乃至命运的沉浮,使她们成为大众娱乐关注的焦点,她们对自我身份的定位以及外界对她们的形象塑造也折射出这一时期江南社会的历史文化变迁。新中国成立后,新政权有意塑造“新女性”的社会形象,而从普余社走出的女艺人也在新社会中努力寻求新的自我身份认同,她们中的一些人成为积极参与社会政治活动的进步女性。在从个人走向集体的过程中,过多的政治身份的塑造使她们在普余社时期最感性、最生动的一面被抹去了,这也导致了此后一段时间内,评弹艺术表演中女性特质的缺失。
[Abstract]:Suzhou Pingtan is an ancient and beautiful rap art. Since modern times, Suzhou has deeply infiltrated the Jiangnan society with its cultural connotation of common appreciation. In the early years of the Republic of China, under the influence of the trend of women's liberation, the group of professional female tongues gradually formed, which broke the male dominant gender pattern in the market. In 30s, in order to break the monopoly of the book industry of Guangyu Society, female artists had a certain influence in the society at that time. Set up a trade organization Puyu Society. Female artists in order to survive, in the promotion of some male artists, on the grounds of male and female career equality and Kwong Yu Society struggle. And finally sought the right to professional equality. As Shanghai became an "isolated island." The flourishing entertainment culture in the concession and the popular consumer demand make Puyu Society ushered in a golden period of development. Female artists in the process of integration with popular culture, their social participation. The emotional struggle and even the ups and downs of fate make them become the focus of public entertainment. Their self-identity and the image of the outside world also reflect the historical and cultural changes of the Jiangnan society in this period. After the founding of New China, the new regime intends to shape the social image of "new women". The female artists out of Puyu Society also strive to seek new self-identity in the new society. Some of them become progressive women who actively participate in social and political activities. In the process of moving from individual to collective. The creation of too much political identity erased the most sensual and vivid aspect of the Puyu Society period, which led to the lack of female characteristics in the performance of the Pushan Art for a period of time thereafter.
【学位授予单位】：上海师范大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：K26

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