东北“伪满”时期城市建筑的文化信息

发布时间：2018-02-23 17:53

本文关键词： 东北伪满城市建筑文化　出处：《东北师范大学》2016年硕士论文　论文类型：学位论文

【摘要】：多少年来,关于东北“伪满”时期城市建筑的著述已不知有多少,这其中,有从历史而论的,有从文物保护而论的,有从方志物语而论的,有从城市建筑本身而论的;从城市建筑本身而论者,又有从城市整体规划而论的,有从具体建筑物而论的;从具体建筑本身而论者,又各有侧重不同,或论建筑风格样式,或论建筑艺术传承,或论建筑外部状貌,或论建筑内部空间,或论建筑西方样式,或论建筑东方元素,或论建筑的装饰形式,或论建筑的材料使用,甚至还有从现代数字科技的角度去加以打量和言说的,这些都为有兴趣或有志于研究者带来了很大方便,如果想有所知道,到这些著述中去看看,便会了解许多。方便固然方便,却也缺少了柳暗花明的发现的乐趣,放就在身边的实物不看,只以书面了解为满足,就如英国女作家吴尔夫在她的《谈谈伊夫林》一文中所说的:“我们不想再从事什么个人发现活动,我们只要查查百科全书就行了。”已有人介绍和谈论的,如果没有新而且深的见解和发现,笔者皆尽量回避,不再向其间再增添赘语,笔者的兴趣之所在,是通过东北“伪满”时期的城市建筑去注目和考量东北文化。这个兴趣,这个文化,又可以具体而言,亦即笔者的兴趣所向之文化是一种碰撞、传播、交流、会融的文化,或说是一种碰撞、传播、交流、会融的文化现象,就像有人从餐饮去透视文化,有人从服饰去透视文化,有人从农耕去透视文化,有人从艺术去透视文化,笔者是意欲从东北“伪满”时期的城市建筑这一特定的视角去打量文化,看看在那样一种特殊的政治和历史背景下,文化是怎样的一种状态,它有否发展、融会的可能,又是怎么对应和变化的。经过一路研究,笔者发现,文化自有生命在,尽管历史会有非常时候,但就如孙进己先生说的即使如此,客观上,不以人们意志为转移地还是会有着文化的交流和传播。东北“伪满”时期共有14年(从1931年——1945年),详加看去,这14年的建筑,有草创,有幼稚,也有走向成熟的趋势;有标新,有立异,也有设计者的个人风格;有异域特点,有中国元素,也有中西合璧,古今一体,其中又皆藏有文化信息在。毋庸置疑,那个特殊的年代所建造的这些建筑,的确会带给我们很多不愿意回忆起的往事。但是建筑艺术毕竟是艺术,因而我们应该站在一个比较公正的角度来看待这些建筑物,它们已经成为一段历史,也成为了我们宝贵的民族资源,因而要对其进行保护。同时,该时期的建筑所具有其独特的特点,笔者便尝试着以文化传播和融会为视角,将这14年的建筑分门别类去打量,以期为中国当代城市的文化建设寻到些可资借鉴处。
[Abstract]:Over the past few years, there have been many works on urban buildings in the period of "pseudo-Manchu" in Northeast China, among which there are historical ones, cultural relics protection, local chronicles, and urban buildings themselves. From the perspective of urban architecture itself, and from the overall planning of the city, some from the perspective of specific buildings, and from the concrete building itself, there are different emphasis, or on the style of architecture, or on the heritage of architectural art, On the exterior appearance of the building, on the internal space of the building, on the western style of the building, on the elements of the building in the east, on the decorative form of the building, or on the use of materials in the building, And even from the point of view of modern digital technology, it's a great convenience to be interested or interested in researchers, and if you want to know something, go to these books and take a look at them. Will know a lot. Convenience is convenient, but also the lack of the fun of discovery, put on the side of the object do not look, only to the written understanding as satisfaction, As Woolf, a British woman writer, put it in her essay "talk about Evelyn": "We don't want to do any more personal discovery, we just have to look up the encyclopedia." If there is no new and deep insight and discovery, the author tries to avoid it and no longer adds any additional language to it. The author's interest is to look at and consider the Northeast culture through the urban buildings of the period of "pseudo-Manchu" in the Northeast. This culture, in particular, is a culture of collision, communication, communication, integration, or a cultural phenomenon that collides, disseminates, communicates, and melts, that is, the culture to which the author's interest is directed. It's like some people looking at culture from food and beverage, some from clothing, some from farming, some from art. The author intends to look at culture from the perspective of urban architecture in the period of "pseudo Manchu" in Northeast China, to see what kind of state culture is under such a special political and historical background, whether it has developed or not, whether it is possible to merge with each other. And how do they correspond and change? after all the research, the author found that culture has its own life, although history will have an extraordinary time, but as Mr. Sun Jinji said, even so, objectively, The period of "pseudo-Manchu" in Northeast China is 14 years (from 1931 to 1945). In detail, these 14 years of architecture have been initiated, childish and mature. There are innovations, there are designers' personal styles, there are exotic features, there are Chinese elements, there is also a combination of Chinese and Western elements, ancient and modern, and there is no doubt that these buildings were built in that special age. It does bring us a lot of memories that we don't want to recall. But the art of architecture is art after all, so we should look at these buildings in a more just light, and they have become a part of history. At the same time, the architecture of this period has its unique characteristics, I will try to culture dissemination and integration as the perspective, the 14 years of architecture classified to look. In order to find some reference for the cultural construction of contemporary cities in China.
【学位授予单位】：东北师范大学
【学位级别】：硕士
【学位授予年份】：2016
【分类号】：TU201;K265.61

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