晚清澳门中国戏院初探

发布时间：2018-03-08 19:54

本文选题：晚清澳门　切入点：中国戏院　出处：《学术研究》2014年01期 　论文类型：期刊论文

【摘要】：中、葡、英三种语言史料互证表明,1870年代之前澳门先后出现四所中国戏院,分别是位于大码头街的Auto China、沙栏仔的Pou-heng、清平直街的清平戏院以及所知极少的吉祥戏院,从而推翻了学界认为清平戏院是澳门首间华人戏院的观点。晚清澳门中国戏院兴起之初的繁华景象仅仅是昙花一现,19世纪末只剩清平戏院一家独撑,其原因与澳门社会政治经济转型有关。19世纪末清平戏院的经营管理方式及中国戏班表演情况,体现出中国戏曲文化在粤澳港之间的交流意义以及居澳西人看待粤曲文化的态度。澳门的中国戏院如同一面多棱镜,折射出多种文化交流的现象。
[Abstract]:Chinese, Portuguese and English historical data show that before the 1870s, four Chinese theatres appeared in Macao, namely, Auto China in Grand Pier Street, Pou-hengin in Sha Lan Tsai, Qingping Theatre on Ching Ping Zhi Street and the auspicious Theater with very little knowledge. This overturned the academic view that the Qingping Theater was the first Chinese theater in Macao. The prosperity of Macao's Chinese theatres at the beginning of the late Qing Dynasty was only a flash in the pan. At the end of the 19th century, only the Qingping Theater was left alone. The reasons are related to the social, political and economic transformation of Macao. At the end of the 19th century, the operation and management of the Qingping Theater and the performance of the Chinese opera troupe were concerned. It reflects the communication significance of Chinese opera culture between Guangdong, Macao and Hong Kong, as well as the attitude of the people living in Macao and western countries in treating Cantonese opera culture. The Chinese theatres in Macao are like a multi-prism mirror, which reflects the phenomenon of multi-cultural exchange.
【作者单位】：澳门大学社会科学及人文学院历史系;
【分类号】：K252;J809.2

【共引文献】