清末民初长沙城市公共文化发展初探(1895-1924)
发布时间:2018-08-23 11:49
【摘要】:长沙城市发展的现代性转变,是一个缓慢而又激烈的过程。特别在清末民初(1895-1924)这一段历史时期内,城市的整个面貌发生了重大改变。在国家和社会这两个层面之间,长沙的城市公共空间和公共文化的发展,是最终促成城市现代转型的一个重要因素。 本文主要探讨的就是长沙的城市公共文化,也即城市精神文化中具有公共性的部分,在清末民初这一转型时期如何参与和构建了市民文化、街头文化的重大转向,并试图分析长沙城市公共文化的发展对市民精神的转变和早期市民社会的孕育产生了怎样的影响。从传统到现代,从私人到公共,从等级到平等,从封闭到开放,长沙城市文化的这种公共性转变的过程和动因,是这篇论文所关注的重点。 本文主要用到的理论和方法,主要参考自国内外关于文化公共性的相关研究。如汉娜·阿伦特以及哈贝马斯的关于公共空间、公共领域的研究,是本文立论的理论基础之一;另外王笛、小浜正子等人对成都及上海等城市的相关研究,也对本文的研究思路产生了指导和借鉴的作用。
[Abstract]:The transformation of the modernity of Changsha's urban development is a slow and intense process. Especially in the late Qing Dynasty and the early Republic of China (1895-1924), great changes have taken place in the whole appearance of the city. Between the two levels of the state and society, the development of public space and public culture in Changsha is the ultimate impetus to the transformation of the modern city. An important factor.
This paper mainly discusses the urban public culture of Changsha, that is, the part of the urban spiritual culture with publicity, how to participate in and construct the civic culture and the great turn of street culture in the transition period of the late Qing Dynasty and the early Republic of China, and tries to analyze the transformation of the civic spirit and the early civic society caused by the development of Changsha's urban public culture. From tradition to modern, from private to public, from hierarchy to equality, from closure to openness, the process and motivation of Changsha's urban culture's public transformation are the focus of this paper.
The theories and methods used in this paper mainly refer to the relevant research on cultural publicity at home and abroad. For example, the research on public space and public sphere by Hannah Arendt and Habermas is one of the theoretical bases of this thesis. In addition, the research on Chengdu and Shanghai by Wang Di, Ohama Zhengzi and others is also true. The research idea of this paper has a guiding and reference role.
【学位授予单位】:湖南师范大学
【学位级别】:硕士
【学位授予年份】:2012
【分类号】:K25;F299.29;G127
本文编号:2198998
[Abstract]:The transformation of the modernity of Changsha's urban development is a slow and intense process. Especially in the late Qing Dynasty and the early Republic of China (1895-1924), great changes have taken place in the whole appearance of the city. Between the two levels of the state and society, the development of public space and public culture in Changsha is the ultimate impetus to the transformation of the modern city. An important factor.
This paper mainly discusses the urban public culture of Changsha, that is, the part of the urban spiritual culture with publicity, how to participate in and construct the civic culture and the great turn of street culture in the transition period of the late Qing Dynasty and the early Republic of China, and tries to analyze the transformation of the civic spirit and the early civic society caused by the development of Changsha's urban public culture. From tradition to modern, from private to public, from hierarchy to equality, from closure to openness, the process and motivation of Changsha's urban culture's public transformation are the focus of this paper.
The theories and methods used in this paper mainly refer to the relevant research on cultural publicity at home and abroad. For example, the research on public space and public sphere by Hannah Arendt and Habermas is one of the theoretical bases of this thesis. In addition, the research on Chengdu and Shanghai by Wang Di, Ohama Zhengzi and others is also true. The research idea of this paper has a guiding and reference role.
【学位授予单位】:湖南师范大学
【学位级别】:硕士
【学位授予年份】:2012
【分类号】:K25;F299.29;G127
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