生态博物馆建设与民族文化发展——以梭戛生态博物馆为中心的讨论

发布时间：2018-02-12 07:10

本文关键词： 生态博物馆梭戛苗族文化文化变迁　出处：《原生态民族文化学刊》2017年04期 　论文类型：期刊论文

【摘要】：中国政府1996年在贵州六枝梭戛建立了中国第一座生态博物馆。生态博物馆是在后工业文明的环境中诞生的,而梭戛生态博物馆则是在一个农业文明的环境中建立的,前者有当地居民较高的文化自觉做基础,后者则主要是在政府和学者的推动下进行的。先进的生态博物馆理念嵌入后进的生产形态和文化意识场域会发生什么变化?梭戛生态博物馆建立10年后,方李莉研究团队与苏东海先生就这一问题进行了深入的交流,大家一致肯定了当初在梭戛建立生态博物馆的探索意义。但就当时的情况来看,生态博物馆在中国的落地尚存在较大的问题,它的出现非但没有对当地的文化起到理想的保护和传承作用,还在一定程度上加速了其变迁。又过了10年,目前中国的文化保护事业和研究有了很大的变化和进展,但此文中的一些观点仍有一定的参考价值。
[Abstract]:In 1996, the Chinese government established the first ecological museum in Guizhou Province. The ecological museum was born in the post-industrial civilization environment, while the Suoga ecological museum was established in the environment of an agricultural civilization. The former is based on the local residents' higher cultural consciousness, while the latter is mainly promoted by the government and scholars. What will happen to the advanced ecological museum concept embedded in the backward production form and cultural consciousness field? Ten years after the establishment of the Suojia Ecological Museum, Fang Li Li's research team had in-depth exchanges with Mr. Su Donghai on this issue. Everyone unanimously affirmed the exploratory significance of setting up an ecological museum in the Suojia region. But from the point of view of the situation at that time, There are still big problems with the landing of the ecological museum in China. Its appearance has not only not only failed to play an ideal role in protecting and inheriting the local culture, but also accelerated its changes to a certain extent. Another 10 years, At present, great changes and progress have been made in the cause and research of cultural protection in China, but some viewpoints in this paper still have some reference value.
【作者单位】：东南大学艺术学院;国家博物馆;中国艺术研究院艺术人类学研究所;
【基金】：国家社科基金艺术学重点项目“社会转型与传统工艺美术的发展研究”(编号:15AG003)
【分类号】：G268.9;K28

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