青海循化县宁巴村藏族螭鼓舞的调查与研究

发布时间：2018-03-21 15:31

本文选题：螭鼓舞　切入点：形态　出处：《西北民族大学》2017年硕士论文　论文类型：学位论文

【摘要】：本文选取流传在青海循化县宁巴村的宗教祭祀舞"螭鼓舞"为研究对象,藏语称为"拉什则","拉",安多语意为"神";"则",意为"玩",引伸做"舞"。"拉什则"直译为"神舞",又因舞时队形如长龙,亦称作"龙鼓舞"。2008年6月被列入国家级非物质文化遗产项目加以保护,将其汉译名称统一为"螭鼓舞"。通过笔者田野调查、入户访谈、以及相关文献的查阅。将"螭鼓舞"置身于历史文化的大背景中进行考察研究,以文化变迁的动态视角去分析和阐释"螭鼓舞"的历史源流、表演方式、文化内涵以及传承发展等问题。利用人类学相关理论,探讨"螭鼓舞"祭祀所蕴含的文化功能与仪式功能以及在不同场域下"螭鼓舞"的不同文化表达方式。论文由五部分组成:绪论,主要阐明文本的选题缘由、与本文相关的研究成果及研究方法和目的。第一章,介绍所在村落的地理环境和人文环境。对"螭鼓舞"的祭祀方式、祭祀程序和舞蹈动作进行分析阐释。第二章,通过村民们对历史记忆中"螭鼓舞"的追溯,概述"螭鼓舞"的相关文化背景,呈现其发展脉络。第三章,探讨现代化进程中"螭鼓舞"的形态与功能的变迁,并分析其影响因素。从"非遗"保护的视角出发,对"螭鼓舞"的传承与发展提出一些理性思考。余言,是对"螭鼓舞"进行田野调查后的反思:民族"文化自觉"意识的加强,有利于促进"螭鼓舞"的文化传承与发展。
[Abstract]:This article selects the religious sacrificial dance "Chi Drum", which is spread in Ningba Village, Xunhua County, Qinghai Province, as the research object. The Tibetan language is called "Rush," "pull," Ando means "god," "then," it means "play," and it extends to "dance." Rush literally translates it as "god dance," and because of the long lines of dancing, In June 2008, it was included in the national intangible cultural heritage project to be protected, and its Chinese translation name was unified as "chi inspiration". And the reference of relevant documents. Put "chi inspiration" in the background of history and culture to investigate and study, analyze and explain the historical origin and performance mode of "chi inspiration" from the dynamic angle of cultural change. Cultural connotations and inheritance and development. Using anthropological theories, This paper probes into the cultural function and ritual function contained in the sacrifice of "chi inspiration" and the different cultural expressions of "chi inspiration" in different fields. The paper is composed of five parts: introduction, mainly expounding the reason of choosing the topic of the text, The first chapter introduces the geographical and cultural environment of the village, analyzes and explains the sacrificial way, the sacrificial procedure and the dance movement of "Chi Drum". By tracing back to the historical memory of "Chi Duan", the villagers summarize the cultural background of "Chi Duan" and present its developing context. Chapter three discusses the changes of the form and function of "Chi Duan" in the process of modernization. From the perspective of "non-legacy" protection, this paper puts forward some rational thoughts on the inheritance and development of "chi inspiration". It is a reflection on the field investigation of "chi inspiration": the strengthening of the national consciousness of "cultural consciousness" is conducive to promoting the cultural inheritance and development of "chi inspiration".
【学位授予单位】：西北民族大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：K892.3

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