另类的摩登：上海的舞女研究（1927-1945）
发布时间：2019-06-30 20:59
【摘要】： 本文以1927-1945年的舞女为研究对象,在阐述舞厅发展变化和舞厅内部运行规则的基础上,通过对舞女群体出现的背景和发展变化加以考察以及对舞女的工作与爱情、婚姻的探讨,来勾勒舞女群体的真实生存面貌,并从中寻找舞女群体所具有的现代性与主体性。本文认为舞女是一群具有现代意义的职业女性,她们在工作中具有较大的自由和“权力”,与传统家庭女性相比拥有更多的追求爱情、自由婚姻的机会,而且她们在舞厅这个特殊的公共空间中向传统的男强女弱的性别关系提出了挑战。那么我们现在对于舞女的印象是如何形成的呢?本文通过考察时人对舞女的不同言说和舞女的自我应对来探讨舞女的形象是如何在错综复杂的关系中被建构起来的。 全文共分绪论、正文、结语三个部分,正文分为六节: 第一节阐述1927-1945年期间舞厅的发展变化和时人对于去舞厅跳舞现象的看法;第二节介绍舞厅内部人员及其职责和舞客在舞厅内跳舞需要遵守的规则;第三节探讨舞女群体出现的背景和舞女群体在此段时期的发展变化;第四节通过介绍了舞女对待舞客的一些花招和伎俩,着重论述舞女在舞厅里伴舞时的主体性;第五节通过对舞女的爱情和婚姻的考察,论述舞女在舞厅中对男强女弱的传统性别关系的挑战;第六节通过时人对于舞女的不同言说和舞女的自我应对来分析舞女形象是如何被人们和舞女自己建构起来的。
[Abstract]:This paper takes the dancers from 1927 to 1945 as the research object, on the basis of expounding the development and changes of the dance hall and the internal operation rules of the dance hall, through the investigation of the background and development of the dance girl group, as well as the discussion of the work, love and marriage of the dance girl group, to outline the true living face of the dance girl group, and to find out the modernization and subjectivity of the dance girl group. This paper holds that dancers are a group of professional women with modern significance, who have greater freedom and "power" at work, and have more opportunities to pursue love and free marriage than traditional family women, and they challenge the traditional gender relationship between men, strong women and weak men in the special public space of ballroom. So how do we form our impression of dancers now? This paper discusses how the image of the dancer is constructed in the complicated relationship by investigating the different words of the dancer and the self-response of the dancer. The full text is divided into three parts: introduction, main body and conclusion. The main body is divided into six sections: the first section expounds the development and changes of the ballroom during 1927-1945 and the people's views on the phenomenon of going to the ballroom; the second section introduces the ballroom staff and their responsibilities and the rules that dancers should abide by in the ballroom; the third section discusses the background of the emergence of the dancers and the development and changes of the dancers in this period. The fourth section introduces some tricks and tricks of dancers towards dancers, focusing on the subjectivity of dancers when dancing in the ballroom; the fifth section discusses the challenges of dancers to the traditional gender relationship between men and women in the ballroom through the investigation of dancers' love and marriage; and section VI analyzes how dancers' images are constructed by people and dancers themselves through the introduction of some tricks and tricks on dancers' treatment of dancers; the fifth section discusses the challenges of dancers to the traditional gender relationship between men and women in the ballroom; and the sixth section analyzes how dancers' images are constructed by people and dancers themselves through the introduction of some tricks and tricks for dancers to treat dancers.
【学位授予单位】：华东师范大学
【学位级别】：硕士
【学位授予年份】：2007
【分类号】：K295.1;K263;K265
本文编号：2508247
[Abstract]:This paper takes the dancers from 1927 to 1945 as the research object, on the basis of expounding the development and changes of the dance hall and the internal operation rules of the dance hall, through the investigation of the background and development of the dance girl group, as well as the discussion of the work, love and marriage of the dance girl group, to outline the true living face of the dance girl group, and to find out the modernization and subjectivity of the dance girl group. This paper holds that dancers are a group of professional women with modern significance, who have greater freedom and "power" at work, and have more opportunities to pursue love and free marriage than traditional family women, and they challenge the traditional gender relationship between men, strong women and weak men in the special public space of ballroom. So how do we form our impression of dancers now? This paper discusses how the image of the dancer is constructed in the complicated relationship by investigating the different words of the dancer and the self-response of the dancer. The full text is divided into three parts: introduction, main body and conclusion. The main body is divided into six sections: the first section expounds the development and changes of the ballroom during 1927-1945 and the people's views on the phenomenon of going to the ballroom; the second section introduces the ballroom staff and their responsibilities and the rules that dancers should abide by in the ballroom; the third section discusses the background of the emergence of the dancers and the development and changes of the dancers in this period. The fourth section introduces some tricks and tricks of dancers towards dancers, focusing on the subjectivity of dancers when dancing in the ballroom; the fifth section discusses the challenges of dancers to the traditional gender relationship between men and women in the ballroom through the investigation of dancers' love and marriage; and section VI analyzes how dancers' images are constructed by people and dancers themselves through the introduction of some tricks and tricks on dancers' treatment of dancers; the fifth section discusses the challenges of dancers to the traditional gender relationship between men and women in the ballroom; and the sixth section analyzes how dancers' images are constructed by people and dancers themselves through the introduction of some tricks and tricks for dancers to treat dancers.
【学位授予单位】：华东师范大学
【学位级别】：硕士
【学位授予年份】：2007
【分类号】：K295.1;K263;K265
【引证文献】
相关硕士学位论文 前1条
1 翟辉;20世纪二三十年代上海的娱乐空间及其分层研究（1927-1937）[D];华东师范大学;2008年
，本文编号：2508247
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