宋代四礼研究

发布时间：2018-03-27 18:25

  本文选题：宋代　切入点：四礼　出处：《浙江大学》2016年博士论文

【摘要】：汉唐多言"五礼"(吉、凶、宾、军、嘉),宋明多言"四礼"(冠、昏、丧、祭)。宋代是"四礼"形成的关键阶段,四礼之学的理论基础、内容框架、思想内涵都于此时奠定。本文以儒学复兴运动为主线,探讨了冠、昏、丧、祭四礼在宋代的立制与实践,以及在这一过程中出现的问题与解决、思辨与争论。全文分上、下两部,上部总论宋代四礼,将四礼置于唐宋礼学变迁的脉络中考察,以概述宋代四礼之源流;考证宋代四礼著述,为之后的研究奠定文献基础。下部分论宋代四礼,分别从冠、昏、丧、祭入手,展现宋儒以"礼"重构民众日常生活的卓越努力及其成效。全文分为八章:第一章绪论,回顾、评述宋代四礼的研究史,介绍本文的研究思路、方法及框架。第二章使用三礼注疏、正史礼志、目录著作,探讨汉唐"五礼"向宋明"四礼"的转向间题,揭示以郑玄为代表的"五礼"体系与以朱熹为代表的"四礼"体系在礼学思想、实践上的差异,及其带来的唐宋之间"礼"、"仪"观念的反转。第三章主要考证宋代四礼文献的作者、成书时间、著作体例、基本内容,辑考佚文,为之后研究奠定文献基础。第四章研究宋代冠礼,以冠帽衣服为线索,认为宋儒重构冠礼仪文的重要目的不仅在于达成"三加弥尊"的古礼大义,还在于将非常性的礼服转化为日常生活中的常服,整饬淆乱的衣冠现状,重构儒家衣冠礼乐之盛况。第五章研究宋代婚礼,以礼俗之争为线索,集中探讨婚礼仪文制定过程中有关"礼"与"俗"的争论,认为婚礼从北宋到南宋大体经历了 "复古-从俗-复古"的曲折过程,朱熹《家礼》表现出的"复古"特色不但旨在实现古礼大义,还希望以此建构"内外和理"的理想家庭生活。第六章研究宋代丧礼,以"辟佛"为线索,研究宋儒如何廓清佛教影响,恢复儒家的五服伦理,将丧礼与家人紧密绾结于一;如何批驳佛教的轮回之说,通过仪文修订礼理一贯的丧礼仪式;如何改变时人对于"厚亲"的观念,强调对于尸体的尊重与保护。这些努力建构了儒家式的死亡关怀,反过来影响到佛教的亡僧之礼。第七章研究宋代祭礼,以行礼空间为线索,研究宋儒重建家祭仪式的设想,以及对于墓祭仪式的积极规范与包容。通过浦江郑氏的个案说明这种兼存家祭、墓祭祭礼格局在民间社会的践行与丕变。第八章为结语,收束全文,得出结论。
[Abstract]:The Han and Tang dynasties were full of words for "five rites" (auspicious, evil, guest, military, Jia Li and Song Ming). The Song Dynasty was the key stage of the formation of the "four rites", and the theoretical basis and content framework of the study of the four rites. The ideological connotation is established at this time. This article takes the Confucianism revival movement as the main line, discusses the establishment and practice of crown, faint, mourning and sacrifice in the Song Dynasty, as well as the problems and solutions, speculation and argument in this process. The next two parts, the upper part of the general introduction of the four rites of the Song Dynasty, will be placed in the context of the changes of the Tang and Song dynasties, in order to outline the origin of the four rites of the Song Dynasty, textual research of the four rites of the Song Dynasty, to lay a literature foundation for the following research, the next part on the fourth rites of the Song Dynasty, Starting with crowning, fainting, mourning and sacrifice, the thesis shows the remarkable efforts and achievements of Song Confucianism in reconstructing the people's daily life with "ceremony". The full text is divided into eight chapters: chapter one: introduction, review, review of the research history of the four rites in Song Dynasty, and introduce the research ideas of this paper. Method and frame. In Chapter two, the author discusses the turning question from "five Rites" to Song Ming's "four Rites" in Han and Tang dynasties by using three rites, official history and bibliographic works. This paper reveals the differences between the "five rites" system represented by Zheng Xuan and the "four rites" system represented by Zhu Xi. The third chapter mainly studies the author of the four ritual documents of the Song Dynasty, the time of completion, the style of the book, the basic content, and the collection of the lost articles. The fourth chapter studies the crown ceremony of the Song Dynasty, taking the dress of crown and hat as the clue, and thinks that the important purpose of reconstructing the article of crown etiquette of Song Confucianism is not only to achieve the ancient ritual meaning of "three plus Yi-zun". It is also to transform the extraordinary dress into the usual dress in daily life, straighten out the confusion of the dress status quo, and reconstruct the Confucianist dress ceremony and music. Chapter five studies the wedding ceremony of the Song Dynasty, taking the debate of etiquette and custom as the clue. Focusing on the debate about "ritual" and "vulgarity" in the process of making wedding ceremony, the author thinks that the wedding went through a tortuous process of "restoring the ancient, from the vulgar to the ancient" from the Northern Song Dynasty to the Southern Song Dynasty. Zhu Xi's "retro" features not only aim at realizing the meaning of ancient rites, but also hope to construct the ideal family life of "internal and external harmony". The sixth chapter studies funeral ceremonies in the Song Dynasty, with the clue of "opening Buddha". How to clarify the influence of Buddhism, how to restore the Confucian ethics of the five costumes, how to closely tie the funeral ceremony with the family, how to refute the Buddhist samsara theory, and how to revise the ritual of ritual and reason through Yi Wen; How to change the concept of "thick kinship" and emphasize the respect and protection of the corpse. These efforts have constructed the Confucian care for death, which in turn affects the rites of Buddhist monks. Chapter 7 studies the rites of sacrifice in the Song Dynasty. Taking the practice space as the clue, this paper studies the assumption of the reconstruction of the family sacrifice ceremony of the Song Dynasty, as well as its positive regulation and tolerance for the tomb sacrifice ceremony. Through the case of the Zheng family in Pujiang, this kind of concurrent family sacrifice is illustrated. Practice and change of the pattern of Tomb sacrifice and sacrifice in Civil Society. Chapter eight is the conclusion.
【学位授予单位】：浙江大学
【学位级别】：博士
【学位授予年份】：2016
【分类号】：K892.9;K244
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本文编号：1672705