共赏与建构:康熙帝的御赐书法活动

发布时间：2018-04-06 06:32

本文选题：康熙　切入点：御书　出处：《文史哲》2017年04期

【摘要】：康熙帝酷爱书法艺术,其书法活动与权力有一定关系,存在着"包装机制",康熙帝形象一定程度上是通过赏赐书法"制造"的。康熙帝赏赐江南织造、步军统领、钦差大臣以及皇子、宗室等御书作品,将这些人视为亲信,臣下得到御书受宠若惊,通过共赏御制书法,交流感情,建立亲密关系。通过在教育机构、祠庙、名胜等文化场所,外交场合赏赐御书,表达对于儒学正统意识形态的尊崇,以自己深厚的汉族文化修养,隐喻统治国家的合法性。康熙皇帝也通过书法反映其崇儒重道,以接续中华文化的道统。
[Abstract]:Emperor Kangxi loves calligraphy art, and his calligraphy activities have a certain relationship with power, and there is a "packaging mechanism". To some extent, Emperor Kangxi's image is "made" by giving calligraphy.Emperor Kangxi rewarded Jiangnan with weaving, leading the army, imperial emperors, princes, monarchs, and other imperial works. They were regarded as trusted by imperial officials, who were flattered by imperial calligraphy, exchanged feelings, and established close relations through a common appreciation of imperial calligraphy.In educational institutions, temples, scenic spots and other cultural places, diplomatic occasions to reward the imperial books, to express the orthodox ideology of Confucianism, with their own profound Han culture, metaphorical legitimacy of the rule of the country.Emperor Kangxi also reflected his worship of Confucianism and Taoism through calligraphy in order to follow the Chinese culture.
【作者单位】：南开大学中国社会史研究中心、历史学院;
【分类号】：K249.2

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