经典注释征引范式的确立与四大名注引书
发布时间：2018-08-07 20:41
【摘要】：从汉魏到两晋南北朝,经典注释的体例和面貌发生了明显的转变。其中之一是以裴松之《三国志注》为标志,史注打破了对经注的因袭模拟,确立了经典注释的征引范式。这一注释范式影响深远,刘孝标《世说注》、郦道元《水经注》与李善《文选注》皆承其绪,又各有发明,合称四大名注。四大名注皆征引浩繁,然而因其所注原书之性质、内容有异,故对典籍之征引亦各有侧重,从中又可见出时代学术之特色。四大名注的产生,除经典注释发展自身的原因外,与南朝以来重视知识、重视典故的学术风气以及四位注者个人的学术追求有关,也离不开时代典籍之富这一必要条件。
[Abstract]:From the Han and Wei dynasties to the Southern and Northern dynasties of Jin and Jin dynasties, the style and appearance of classical annotation have changed obviously. One of them is taking Pei Songzhi's the Notes of the three Kingdoms as the symbol, the historical notes break the imitation of the scriptures, and establish the citation paradigm of the classical annotations. This annotation paradigm has a profound influence. Liu Xiaobian, Li Daoyuan, Shui Jing, and Li Shan all follow their thread, and each of them has inventions, which are collectively called the four Great Nomenclature Notes. The four famous notes are all cited in numerous ways, but because of the different nature and content of the original book, they also have their own emphasis on the classic books, from which we can see the academic characteristics of the times. Besides the reasons for the development of classical annotations, the emergence of the four famous notes is related to the academic atmosphere of attaching importance to knowledge, the allusion and the academic pursuit of the four annotators since the Southern Dynasty, which is also indispensable to the prosperity of the classical books of the times.
【作者单位】： 黑龙江大学文学院;
【基金】：国家社科基金重大项目“汉魏六朝集部文献集成”(编号:13&ZD109);国家社科基金一般项目“学术史视域下李善《文选注》引书研究”(编号:16BZW049) 中国博士后科学基金第59批面上资助项目“李善《文选注》经部引书研究”(编号:2016M590307)
【分类号】：K23
本文编号：2171287
[Abstract]:From the Han and Wei dynasties to the Southern and Northern dynasties of Jin and Jin dynasties, the style and appearance of classical annotation have changed obviously. One of them is taking Pei Songzhi's the Notes of the three Kingdoms as the symbol, the historical notes break the imitation of the scriptures, and establish the citation paradigm of the classical annotations. This annotation paradigm has a profound influence. Liu Xiaobian, Li Daoyuan, Shui Jing, and Li Shan all follow their thread, and each of them has inventions, which are collectively called the four Great Nomenclature Notes. The four famous notes are all cited in numerous ways, but because of the different nature and content of the original book, they also have their own emphasis on the classic books, from which we can see the academic characteristics of the times. Besides the reasons for the development of classical annotations, the emergence of the four famous notes is related to the academic atmosphere of attaching importance to knowledge, the allusion and the academic pursuit of the four annotators since the Southern Dynasty, which is also indispensable to the prosperity of the classical books of the times.
【作者单位】： 黑龙江大学文学院;
【基金】：国家社科基金重大项目“汉魏六朝集部文献集成”(编号:13&ZD109);国家社科基金一般项目“学术史视域下李善《文选注》引书研究”(编号:16BZW049) 中国博士后科学基金第59批面上资助项目“李善《文选注》经部引书研究”(编号:2016M590307)
【分类号】：K23
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