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15—16世纪初明朝宫廷中通俗佛教故事的图像:绘画、文本和表演的交织

发布时间:2018-09-18 10:04
【摘要】:15—16世纪,描绘民间流行佛教故事的图像在明代宫廷内部流传,插画本《目连宝卷》抄本与描绘妙善公主故事的大慧寺壁画堪称是这类佛教故事的两则代表性例证,分别由正统年间的皇妃和正德年间的宦官定制。这两件物品是宗教信仰、视觉图像、书写文本与口头表演相互交织的产物,但它们的实际功用是十分复杂的。配有较多插图的《目连宝卷》抄本,不仅是口头演唱的脚本,亦对教化和娱乐性质的阅读有所辅益。大慧寺的壁画则是祈愿性质的绘画作品,其创作底本乃是《香山宝卷》,同样是宝卷宣唱的表演脚本,可是大慧寺壁画很可能并不用于佛教教化,而是为了实现对太监及其家人的超度。
[Abstract]:In the 15th and 16th centuries, images depicting popular folk Buddhist stories were circulated within the Ming court. The manuscripts of the illustration book "Mou Lian Bao Scroll" and the mural of Dahui Temple, which depicts the story of Princess Miaoshan, were two representative examples of such Buddhist stories. They were customized by imperial concubines in orthodox years and eunuchs in Zhengde years. These two objects are intertwined by religious beliefs, visual images, written texts and oral performances, but their actual functions are very complex. With more illustrations, the manuscript is not only a script for oral singing, but also helpful for educational and recreational reading. The mural of Dahui Temple, on the other hand, is a praying painting. Its original creation is "Xiangshan Treasure Scroll", which is also a performance script of Baowuxuan. However, it is very likely that the Dahui Temple murals are not used for Buddhist enlightenment. But to achieve the eunuchs and their families.
【作者单位】: 复旦大学文史研究院;
【基金】:何鸿毅(Robert H.N.Ho)家族基金有关妙善故事传播研究项目的阶段性成果
【分类号】:K248


本文编号:2247563

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