神御在蜀:宋代四川的御容奉祀与地方政治
发布时间：2019-06-08 09:21
【摘要】：宋太宗时,成都新繁县寺僧绘成太祖御容,但绘成之后长期无人问津。然而神宗时期,这一不符合惯例的御容成为地方社会的珍稀资源,获得四川地方以及朝廷的关注,其崇奉活动在多方努力之下,终于使太祖御容拥有了修建殿宇、朝谒以时的准神御殿待遇,标志着蜀中御容殿的兴起。南宋初年,随着北方沦陷,御容流散,自太宗以下五朝御容由陕入蜀,与太祖御容同殿供奉,形成六朝御容在蜀的盛况。南宋末年,御容殿也因四川局势的败坏,不得不以迁离出蜀结局。无论是北宋还是南宋,围绕御容殿的礼制与待遇,引出不少矛盾,其背后都折射出四川地方政治的种种特点及其与朝廷的微妙关系。
[Abstract]:When Song Taizong, Chengdu Xinfan County monastery monk painted Taizu imperial appearance, but painted after a long time no one paid attention to. However, during the Shenzong period, this unconventional imperial Rong became a rare resource of the local society and received the attention of Sichuan localities and the court. With many efforts, his worship activities finally made Taizu Royal Rong have built a temple. The treatment of the imperial hall of the emperor marked the rise of the imperial hall in Shu. In the early years of the Southern Song Dynasty, with the fall of the north and the dispersion of the imperial Rong, from Shaanxi to Shu from the five dynasties below Taizong, the imperial Rong of the six dynasties was worshipped in the same hall as the Emperor Taizu, forming the grand occasion of the imperial Rong of the six dynasties in Shu. At the end of the Southern Song Dynasty, the Royal Palace also had to move out of Shu because of the corruption of the situation in Sichuan. Whether in the Northern Song Dynasty or the Southern Song Dynasty, there are many contradictions around the etiquette and treatment of the Royal Rong Temple, which reflect the various characteristics of local politics in Sichuan and its subtle relationship with the court.
【作者单位】： 四川大学中国藏学研究所;
【分类号】：K244
本文编号：2495180
[Abstract]:When Song Taizong, Chengdu Xinfan County monastery monk painted Taizu imperial appearance, but painted after a long time no one paid attention to. However, during the Shenzong period, this unconventional imperial Rong became a rare resource of the local society and received the attention of Sichuan localities and the court. With many efforts, his worship activities finally made Taizu Royal Rong have built a temple. The treatment of the imperial hall of the emperor marked the rise of the imperial hall in Shu. In the early years of the Southern Song Dynasty, with the fall of the north and the dispersion of the imperial Rong, from Shaanxi to Shu from the five dynasties below Taizong, the imperial Rong of the six dynasties was worshipped in the same hall as the Emperor Taizu, forming the grand occasion of the imperial Rong of the six dynasties in Shu. At the end of the Southern Song Dynasty, the Royal Palace also had to move out of Shu because of the corruption of the situation in Sichuan. Whether in the Northern Song Dynasty or the Southern Song Dynasty, there are many contradictions around the etiquette and treatment of the Royal Rong Temple, which reflect the various characteristics of local politics in Sichuan and its subtle relationship with the court.
【作者单位】： 四川大学中国藏学研究所;
【分类号】：K244
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