跨文化视野中的“看图讲故事”研究——梅维恒《绘画与表演》读后记及其论题意义

发布时间：2018-01-05 21:17

本文关键词：跨文化视野中的“看图讲故事”研究——梅维恒《绘画与表演》读后记及其论题意义　出处：《贵州民族大学学报(哲学社会科学版)》2016年01期 　论文类型：期刊论文

【摘要】：美国汉学家梅维恒的《绘画与表演》是一部关于中国变文起源与传播的重要著作。该著充分利用印度、中国和世界其他地区普遍存在的"故事画"资料,以中亚为中介构拟出"看图讲故事"的基本传播路线和分布走向,旨在展呈中国"看图讲故事"的印度起源图景。本文基于对该著的立论和论证过程的系统梳理,结合学界对民俗学的"流传学派"和文化人类学的"传播论学派"的相关讨论,评析该著的研究模式及其结论之于当下的学术价值;而"看图讲故事"这一新论题的提出,有助于在更大范围内探查故事讲述的民俗实践路径及其活形态表达的文化多样性。
[Abstract]:American Sinologist Mei Weiheng's painting and performance is an important work on the origin and dissemination of Chinese transliteration, which makes full use of "story painting" materials that are widely available in India, China, and other parts of the world. Taking Central Asia as the intermediary, the author draws up the basic communication route and distribution trend of "watching pictures and telling stories". The purpose of this paper is to present a picture of the origin of India in China. This paper is based on a systematic analysis of the process of argumentation and argumentation of the book. Based on the discussion on the "spreading school" of folklore and the "school of communication theory" in cultural anthropology, this paper analyzes the research model and the current academic value of its conclusion. The new topic of "watching pictures and telling stories" is helpful to explore the folklore practice path of story telling and the cultural diversity of its living form expression in a wider range.
【作者单位】：中国社会科学院研究生院少数民族语言文学系;
【分类号】：K207.8
【正文快照】： 《绘画与表演——中国的看图讲故事和它的印度起源》(下称《绘画与表演》)11是美国著名汉学家、敦煌学家、宾夕法尼亚大学亚洲及中东研究系教授、考古及人类学博物馆顾问梅维恒(Victor H.Mair,1943~)的代表性研究成果。该著于1988年由夏威夷大学出版社出版,专门讨论有关中国俗

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