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苏轼“《春秋》书法”观及其理论基础

发布时间:2018-08-01 11:47
【摘要】:关于"《春秋》书法",历来论者甚众,观点纷呈。苏轼有一系列论文探讨了《春秋》中相关记载或表述的"书法"问题。苏轼之论"《春秋》书法",涉及面广,针对性强,其"《春秋》书法"观不仅有对先儒尤其是"春秋三传"的批判吸收,更有自己的独到发明。苏轼认为,孔子作《春秋》,褒贬历史事件与人物,均以"礼"为评判准则。作为孔子思想学说的坚定拥护者,苏轼论析"《春秋》书法",探究圣人之意,亦以"礼"为理论基础。
[Abstract]:Regarding "the Spring and Autumn period" calligraphy, the historical theory is very many, the viewpoint is various. Su Shi has a series of papers to discuss the problem of calligraphy recorded or expressed in the Spring and Autumn period. Su Shi's theory of "calligraphy in the Spring and Autumn period" involves a wide range of aspects and has strong pertinence. His view of "calligraphy in the Spring and Autumn period" not only critically absorbs Confucianism, especially the three Biography of the Spring and Autumn period, but also has its own unique invention. Su Shi thinks that Confucius' works "Spring and Autumn", praise and demean historical events and figures, are judged by "propriety". As a staunch supporter of Confucius' thought and theory, Su Shi discussed and analyzed the calligraphy of the Spring and Autumn period, explored the meaning of the sage, and took the "rite" as the theoretical basis.
【作者单位】: 遵义师范学院人文与传媒学院;
【基金】:贵州省社科规划课题“苏轼经学思想研究”(项目编号:14GZYB41)阶段成果
【分类号】:K225.04


本文编号:2157479

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