中原文化与土著文化在梅州的整合研究——以梅州客家山歌的形成为例

发布时间：2019-07-09 18:14

【摘要】：作为汉族民系的客家创造了独特的客家文化 ,客家山歌就是其中的典型代表之一。客家是一个历史范畴 ,又是一种地域现象。从文化地理学理论考察 ,区域文化的成型取决于主体文化要素的分别成熟。据此 ,确定客家民系与客家文化的成型期在明末清初。由于历史的原因 ,梅州客家文化与梅州客家山歌具有客家区域文化代表意义。中原文化与土著文化的整合造就了特色鲜明的客家文化。这在梅州客家山歌的形成过程中有充分的体现。中原文化构建了梅州客家山歌的骨架。因此 ,梅州客家山歌的艺术风格、修辞方法、章法结构都留有“十五国风”以及迁徙途经的江南吴音印迹。客家山歌自明末清初始与吴歌分道扬镳 ,佐证了客家民系及其文化成型于明末清初说
[Abstract]:Hakka, as a folk department of Han nationality, has created a unique Hakka culture, among which Hakka folk songs are one of the typical representatives. Hakka is not only a historical category, but also a regional phenomenon. From the perspective of cultural geography theory, the formation of regional culture depends on the maturity of the main cultural elements. According to this, the formation period of Hakka department and Hakka culture was determined at the end of Ming Dynasty and the beginning of Qing Dynasty. Due to historical reasons, Meizhou Hakka culture and Meizhou Hakka folk songs have the representative significance of Hakka regional culture. The integration of Central Plains culture and indigenous culture has created Hakka culture with distinctive characteristics. This is fully reflected in the formation of Meizhou Hakka folk songs. The Central Plains culture constructs the skeleton of Meizhou Hakka folk songs. Therefore, the artistic style, rhetorical methods and chapter structure of Meizhou Hakka folk songs all leave the "fifteen Kingdoms style" and the migration path of Jiangnan Wu Yin imprinting. Hakka folk songs have been parted ways with Wu GE since the late Ming and early Qing dynasties, which proves that the Hakka folk department and its culture were formed in the late Ming and early Qing dynasties.
【作者单位】：广东嘉应学院地理系中山大学城市与区域研究中心
【分类号】：K203

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