传统圈椅的再设计研究

发布时间：2018-01-03 11:33

本文关键词：传统圈椅的再设计研究　出处：《武汉纺织大学》2017年硕士论文　论文类型：学位论文

【摘要】：现代座椅设计为了适应技术化发展而趋于同质化,忽视了设计为人服务的主题,导致设计出的产品没有独特性,从传统圈椅设计出发,由席地而坐到高足垂坐行为习惯的改变,使得圈椅设计围绕着人的坐姿习惯而产生,为坐而设计的核心也就是为人而设计,同时圈椅所蕴含的文化精神显现出了民族性的特征,让设计物变得别具一格。跪坐到垂足而坐的文化生活奠定了圈椅成为高型坐具的雏形,结合了席与几的功能,因人身体的坐姿状态发展为由上顺势而下的椅圈形态,成为了圈椅独有的物性特征,圈椅上下的分割比例根据人坐姿的高低尺寸而来,运用天然的木质纹理作为椅面装饰,突显出了产品的本真之美。圣人立象以尽意,圈椅又名圆椅,古人认为圆有天体之意,而上圆下方的圈椅造型则体现出天圆地方的传统文化思想,传统工艺中的榫卯结构不仅符合了人体工程原则,还将以人为本的设计精神融入到了手工制作过程中,圈椅作为时代的产物离不开人文环境的影响,追求细腻简洁、自然含蓄的审美理念铸就了圈椅的风格特征。座椅设计发展至今,无论是西方还是中国的设计师都有以圈椅为原型的再设计经验,将民族元素运用到现代设计中,蕴含着民族文化的设计物,承载着民族意识,同一个民族拥有着共同的民族情感,也使得具有民族特征的产品更容易被该民族的消费群体所接受,不仅创造了传统还因文化的差异使产品变得独特。反思当代座椅的设计现象,以圈椅为灵感来源对现代座椅进行再设计,运用由表观、浅层到内在的设计方法深入到了系统中去,让这种特定风格成为民族身份的象征,在人与物之间建构出无形的设计语言。总而言之,站在当代社会的背景下,让技术为设计服务,将传统文化融入到当代设计中,让民族文化通过设计走向世界,这样一个相辅相成的过程才能使得本土设计风格持续以往的发展。
[Abstract]:The seat design tends to homogenization in order to adapt to the development of technology and design, ignore the service for people to design a theme, are not unique, starting from the traditional chair design, by the students to sit down on behaviour change, the chair design around the sitting habits of people, and the design of the core the design is for people to sit at the same time, seeking cultural spirit contains showing national characteristics, make the design have a unique style. Become sitting kneeling to pedal the cultural life laid a prototype of a high chair seats, with seats and a few functions, sitting chair ring shape development human body on the grounds of homeopathy, becoming the chair features unique, the chair of the segmentation according to the proportion of people sitting height size, the use of natural wood texture as the chair surface decoration, The product highlights the true beauty. The saints standing to Italy, also known as the chair round chair, the ancients believed that round bodies of Italy, and on the bottom of the circle of the chair shape reflects the Tianyuandifang tradition culture, tenon structure in the traditional process not only conforms to the human engineering principle, will also design spirit people oriented into Handmade process, influence the chair as a product of the times cannot do without the humane environment, the pursuit of exquisite simplicity, forge aesthetic concept of natural connotative style characteristics. The development of chair seat design so far, whether it is western or Chinese designers have experience in design and prototype chair, use the ethnic elements in modern design, which contains the design of the national culture, carrying the national consciousness, the same people have the common national feelings, but also makes products with national characteristics are more likely to be the Accepted by the national consumer groups, not only created a tradition for cultural differences make the products become a unique phenomenon. The reflection of the contemporary design of the seat with a chair for inspiration and design of modern seats, used by the apparent, the shallow layer to the inner design method into the system to make the specific style become a symbol of national identity, construct in a design language between people and things invisible. In short, the station is in the contemporary social background, makes the technology design services, the traditional culture into modern design, let the national culture through the design of the world, such a process can make complementary local design style in the past development.

【学位授予单位】：武汉纺织大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：TS665.4

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