凉山彝族银饰的审美表现及创新设计
发布时间:2018-08-05 14:27
【摘要】:凉山彝族银饰与彝族人的生活方式、自然地理环境、宗教信仰、人文风俗、审美理念都有着密切的关系。早期,银在凉山市场中实行流通货币的职能,它象征着财富,大量的白银通过鸦片贸易从外地流入封闭的凉山。同时,作为首饰,替代了铜饰品的银饰备受凉山彝族人民的喜爱;并且,由于彝族支系众多,即便是同一民族,不同地区、不同支系、不同方言区的银饰佩戴也不尽相同。凉山千百年的历史赋予了银饰深层而厚重的文化内涵。在彝族人的眼里,银饰不仅具有装饰的功能,还有调理身体的疗效,同时也成为了凉山彝族生活中不可或缺的饰品。笔者首先通过对凉山传统银饰特征分析的基础上,进一步研究了凉山彝族银饰当下的发展趋势和审美表现。将创新概念融入银饰品的制作,多种材质的运用和纹样的搭配、具有传统文化寓意的图案与时尚元素的结合使得彝族银饰拥有更多的可能性,且符合时代审美的需求。传统和创新并用的设计让凉山彝族银饰拥有独特的审美表现,也成为凉山银饰走出国门、走向世界的必然趋势。
[Abstract]:The silver ornaments of Yi nationality in Liangshan are closely related to the way of life, natural geographical environment, religious belief, humanistic custom and aesthetic idea of Yi people. In the early days, silver functioned as a currency in the Liangshan market. It symbolized wealth, and a large amount of silver flowed through the opium trade into the closed Liangshan. At the same time, as jewelry, instead of copper jewelry silver jewelry Liangshan Yi people like; and, because of the Yi branch, even the same ethnic group, different regions, different branches, different areas of silver jewelry wear is also different. The history of Liangshan for thousands of years has given silver ornaments deep and thick cultural connotation. In the eyes of Yi people, silver ornaments not only have the function of decoration, but also the curative effect of regulating the body, at the same time, they have become indispensable ornaments in Liangshan Yi people's life. Based on the analysis of the characteristics of Liangshan traditional silver ornaments, the author further studies the current development trend and aesthetic performance of Liangshan Yi silver ornaments. Integrating the concept of innovation into the making of silver ornaments, the use of various materials and the matching of patterns, the combination of patterns with traditional cultural connotations and fashion elements make the silver ornaments of the Yi nationality have more possibilities and meet the aesthetic needs of the times. The combination of tradition and innovation makes Liangshan Yi silver ornaments have unique aesthetic performance and become the inevitable trend for Liangshan silver ornaments to go out of the country and go to the world.
【学位授予单位】:武汉纺织大学
【学位级别】:硕士
【学位授予年份】:2017
【分类号】:TS934.3
本文编号:2166068
[Abstract]:The silver ornaments of Yi nationality in Liangshan are closely related to the way of life, natural geographical environment, religious belief, humanistic custom and aesthetic idea of Yi people. In the early days, silver functioned as a currency in the Liangshan market. It symbolized wealth, and a large amount of silver flowed through the opium trade into the closed Liangshan. At the same time, as jewelry, instead of copper jewelry silver jewelry Liangshan Yi people like; and, because of the Yi branch, even the same ethnic group, different regions, different branches, different areas of silver jewelry wear is also different. The history of Liangshan for thousands of years has given silver ornaments deep and thick cultural connotation. In the eyes of Yi people, silver ornaments not only have the function of decoration, but also the curative effect of regulating the body, at the same time, they have become indispensable ornaments in Liangshan Yi people's life. Based on the analysis of the characteristics of Liangshan traditional silver ornaments, the author further studies the current development trend and aesthetic performance of Liangshan Yi silver ornaments. Integrating the concept of innovation into the making of silver ornaments, the use of various materials and the matching of patterns, the combination of patterns with traditional cultural connotations and fashion elements make the silver ornaments of the Yi nationality have more possibilities and meet the aesthetic needs of the times. The combination of tradition and innovation makes Liangshan Yi silver ornaments have unique aesthetic performance and become the inevitable trend for Liangshan silver ornaments to go out of the country and go to the world.
【学位授予单位】:武汉纺织大学
【学位级别】:硕士
【学位授予年份】:2017
【分类号】:TS934.3
【参考文献】
相关期刊论文 前10条
1 邓海娟;;凉山彝族服饰配件造型研究[J];湖北第二师范学院学报;2016年09期
2 杨蓓;;少数民族银饰文化的符号学意义——以苗、彝族银饰为例[J];中华文化论坛;2016年02期
3 郭颖艳;杨凌云;;基于凉山彝族装饰符号的现代家具创新设计[J];家具与室内装饰;2015年10期
4 杨正文;;清水江流域的白银流动与苗族银饰文化的成因[J];民族研究;2015年05期
5 罗毅;;凉山彝族家具装饰图案纹样艺术解析[J];设计艺术研究;2015年02期
6 花瑞卿;;论云南彝族银首饰的造型艺术[J];楚雄师范学院学报;2014年07期
7 程思;卢倩雯;;浅析彝族银饰艺术[J];大众文艺;2014年08期
8 马丽;;凉山彝族漆器髹饰艺术研究[J];大众文艺;2014年06期
9 李婕;;凉山彝族毕摩绘画的艺术表现形式及现代旅游商品设计[J];艺术科技;2014年02期
10 张学梅;廖涛;董恺凌;张薇;;彝族非物质文化遗产研究综述[J];资源开发与市场;2014年02期
相关会议论文 前1条
1 尹丽娟;;浅析彝族传统银饰文化[A];中国民族文博(第五辑)[C];2013年
,本文编号:2166068
本文链接:https://www.wllwen.com/shoufeilunwen/boshibiyelunwen/2166068.html