清代服饰中的团花图案在现代服饰设计中的应用研究
发布时间：2018-08-17 20:11
【摘要】：团花图案作为中国传统吉祥纹样之一,大量应用于清代,在清代吉祥文化中具有举足轻重的地位,极具代表性。因其外部轮廓多为圆形,象征圆满喜庆,具有深刻的人文内涵。团花图案作为一种骨架纹样,在图案内外轮廓素材的选用上除动植物纹样外,还有文字纹样等其他纹样。在继承和发扬中国传统吉祥纹样中,我们应当创新设计清代团花图案,并将其巧妙地运用到现代服饰设计中。本文旨在通过对清代服饰中团花图案的深入研究,探析其文化内涵和艺术特征及其在现代服饰设计中的创新应用。本论文共分四个部分,第一部分探析团花图案的历史渊源,了解其文化背景。第二部分重点分析清代团花图案的内外轮廓、装饰手法,旨在了解团花图案内外轮廓的构成方式及其蕴含的文化寓意。第三部分探究清代团花图案在现代中外服饰设计中的案例,总结归纳其在现代服饰中的设计方法。第四部分为设计实践,在保留清代团花图案外轮廓为圆形或类圆形以及吉祥文化内涵的前提下,重新设计团花图案内外轮廓布局形式,并应用于现代服饰设计,探索清代团花图案内外轮廓布局设计的新方法。本文以期能够进一步补充清代服饰中团花图案在现代服饰设计中应用研究的相关内容,并为今后更深层次的应用实践提供参考,为传统图案在现代服饰设计中的应用贡献一份力量。同时希望本文的研究可以引起人们对传统图案设计的再思考。
[Abstract]:As one of the traditional auspicious patterns in China, Tuanhua pattern was widely used in the Qing Dynasty, which played an important and representative role in the auspicious culture of Qing Dynasty. Because its outer contour is round, symbolizes the perfect celebration, has the profound humanities connotation. In addition to animal and plant patterns, there are other patterns, such as text patterns, in the selection of internal and external contours of the patterns as a skeleton pattern. In inheriting and carrying forward Chinese traditional auspicious patterns, we should innovate and design the Qing Dynasty flower pattern and apply it to modern dress design. The purpose of this paper is to explore the cultural connotation and artistic characteristics of the group flower pattern in Qing Dynasty and its innovative application in modern dress design. This thesis is divided into four parts. The first part analyzes the historical origin and cultural background of Tuanhua pattern. The second part mainly analyzes the inner and outer outline of the pattern of the Qing Dynasty, the decoration technique, in order to understand the composition of the inner and outer outline of the pattern and its cultural implication. The third part probes into the Qing Dynasty Tuanhua pattern in the modern Chinese and foreign clothing design cases, summarizes its design method in the modern dress. The fourth part is the design practice. On the premise of retaining the outer outline of the Qing Dynasty flower pattern as a circle or similar circle and auspicious cultural connotation, the paper redesigns the inner and outer outline layout of the flower pattern and applies it to modern dress design. To explore a new method for the design of inner and outer outline layout of the flower pattern in Qing Dynasty. The purpose of this paper is to supplement the relevant contents of the research on the application of flower patterns in the dress design of the Qing Dynasty, and to provide a reference for the further application practice in the future. Contribution to the application of traditional patterns in modern dress design. At the same time, I hope that the study of this paper can cause people to reconsider the traditional pattern design.
【学位授予单位】：武汉纺织大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：TS941.2
本文编号：2188767
[Abstract]:As one of the traditional auspicious patterns in China, Tuanhua pattern was widely used in the Qing Dynasty, which played an important and representative role in the auspicious culture of Qing Dynasty. Because its outer contour is round, symbolizes the perfect celebration, has the profound humanities connotation. In addition to animal and plant patterns, there are other patterns, such as text patterns, in the selection of internal and external contours of the patterns as a skeleton pattern. In inheriting and carrying forward Chinese traditional auspicious patterns, we should innovate and design the Qing Dynasty flower pattern and apply it to modern dress design. The purpose of this paper is to explore the cultural connotation and artistic characteristics of the group flower pattern in Qing Dynasty and its innovative application in modern dress design. This thesis is divided into four parts. The first part analyzes the historical origin and cultural background of Tuanhua pattern. The second part mainly analyzes the inner and outer outline of the pattern of the Qing Dynasty, the decoration technique, in order to understand the composition of the inner and outer outline of the pattern and its cultural implication. The third part probes into the Qing Dynasty Tuanhua pattern in the modern Chinese and foreign clothing design cases, summarizes its design method in the modern dress. The fourth part is the design practice. On the premise of retaining the outer outline of the Qing Dynasty flower pattern as a circle or similar circle and auspicious cultural connotation, the paper redesigns the inner and outer outline layout of the flower pattern and applies it to modern dress design. To explore a new method for the design of inner and outer outline layout of the flower pattern in Qing Dynasty. The purpose of this paper is to supplement the relevant contents of the research on the application of flower patterns in the dress design of the Qing Dynasty, and to provide a reference for the further application practice in the future. Contribution to the application of traditional patterns in modern dress design. At the same time, I hope that the study of this paper can cause people to reconsider the traditional pattern design.
【学位授予单位】：武汉纺织大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：TS941.2
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