中国当代动画片艺术特征嬗变

发布时间：2018-01-02 04:32

本文关键词：中国当代动画片艺术特征嬗变　出处：《北京电影学院》2017年博士论文　论文类型：学位论文

【摘要】：本论文对建国后的中国内地动画历史进行了梳理,总结概括了近七十年动画片的各个阶段的艺术特征。采取对动画文本进行精读的方法,并结合作品的历史背景,从题材选择、美术风格、主题内涵、情节设置、镜语模式等方面加以分析,详细阐述中国当代动画片的艺术特征嬗变及其文化成因。力图勾勒出中国动画片近七十年来艺术风格演变的图景。作者通过拉片、汇集资料和采访当时的创作者,研究这些优秀民族瑰宝诞生始末及其深远影响。本论文绪论部分介绍了研究对象、意义、现状和方法。正文第一章论述了建国后“十七年”动画艺术特征演变,在其演变中先后经历了从童稚化、浪漫化向主流价值观的渗入过渡;第二章研究了文革这一特殊历史时期的动画艺术特征嬗变。在此期间,动画作品几乎完全成为政治宣传的工具,动画作品数量减少,主流价值观占据主要地位;第三章论述了1980年代动画片的质朴与繁荣,其间动画片艺术特征为童趣、精英意识与多元风格涌现;第四章对1990年代动画片的转型进行了研究,转型期间动画片的艺术特征为浅思维、大众文化意识与趋同化风格;论文的第五章对21世纪的动画美学特征进行了总结,类型观念的自觉与风格杂糅构成了这一时期的艺术特征。本论文在研究中国当代动画艺术的过程中,从中国历史及其经济、文化背景中考察中国当代艺术特征的嬗变,把创作时代、社会语境、文化潮流、经济状况等作为艺术特征嬗变的参照系。从中国动画片艺术近七十年的艺术特征的发展以及变化,来试图推断出中国动画片发展有其规律性和必然性。特别是经济、科技快速发展的21世纪,文化多元导致中国动画片变得开放而兼容并蓄,优秀作品崭露头角。动画片中传统的理性色彩,人文观念和启蒙模式正在逐渐演变为一种类型化、更具有时代气息的消费主义模式。本论文在研究中国动画片艺术特征嬗变的过程中,也对动画创作进行了梳理,动画艺术的理论研究和艺术创作互为促进、互为繁荣。动画艺术的审美过程是创作者和欣赏者共同作用完成的,动画片的功能美学、多姿多彩的画面、无边无际的想象力带来的美感,丰富而饱满。本论文的研究在文化融合、产业繁荣和国际资本合作的新形势下,对动画作品如何增加文化话语权和影响力具有一定的理论指导和方向性导引作用。
[Abstract]:This paper reviews the history of animation in the mainland of China after the founding of the people's Republic of China, summarizes the artistic characteristics of each stage of animation in the past 70 years, and adopts the method of intensive reading of animation texts. Combined with the historical background of the works, from the theme selection, art style, theme connotation, plot setting, mirror language model and so on. This paper expounds in detail the evolution of the artistic characteristics and cultural causes of Chinese contemporary cartoons, and tries to outline the picture of the evolution of the artistic style of Chinese cartoons in the past 70 years. Collect the data and interview the creators at that time to study the birth of these outstanding national treasures and their far-reaching impact. The introduction of this paper introduces the research object and significance. The first chapter discusses the evolution of animation art features after the founding of the people's Republic of China, and has experienced a transition from childishness, romance to mainstream values. The second chapter studies the evolution of animation artistic characteristics in the special historical period of the Cultural Revolution. During this period, animation works almost became the tool of political propaganda, the number of animation works decreased, and the mainstream values occupied the main position. The third chapter discusses the simplicity and prosperity of animation in 1980s, in which the artistic features of animation are childlike, elite consciousness and multi-style emerged. In chapter 4th, the author studies the transition of animation in 1990s. The artistic characteristics of animation in the transition period are shallow thinking, popular cultural consciousness and assimilation style. The 5th chapter summarizes the aesthetic features of animation in 21th century, the consciousness of type concept and the blending of style constitute the artistic characteristics of this period. This paper is in the process of studying the contemporary animation art in China. From the perspective of Chinese history and its economic and cultural background, this paper examines the evolution of the characteristics of contemporary Chinese art, including the creation times, the social context and the cultural trends. Economic situation is the reference frame of the evolution of artistic characteristics. From the development and change of artistic characteristics of Chinese cartoon art in the past 70 years. In 21th century, the rapid development of economy and science and technology, cultural diversity led to the Chinese animation become open and inclusive. The traditional rational color, humanistic concept and enlightenment mode in the cartoon are gradually evolving into a type. In the process of studying the evolution of the artistic characteristics of Chinese animation, this thesis also combs the animation creation, the theoretical research and the artistic creation of animation art promote each other. The aesthetic process of animation art is accomplished by the interaction of creators and appreciators. The functional aesthetics of cartoons, colorful pictures, endless imagination brings the aesthetic feeling. Rich and full. This paper studies in the new situation of cultural integration, industrial prosperity and international capital cooperation. Animation works how to increase cultural discourse and influence has a certain theoretical guidance and directional guidance.
【学位授予单位】：北京电影学院
【学位级别】：博士
【学位授予年份】：2017
【分类号】：J954

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