从时间到空间—论电子音乐空间映像的建构

发布时间：2018-02-08 15:33

本文关键词： 电子音乐音乐空间空间化声音映像声音空间映像声音传递声音扩散　出处：《中央音乐学院》2017年博士论文　论文类型：学位论文

【摘要】：当电子音乐作为一种新的艺术表现形式而确立时,她在声音空间表现方面的潜能就已经引发广泛的兴趣与重视。无论是创作实践还是理论研究,前人对于电子音乐空间表现的探索都取得了许多宝贵的成果。但是,如果与人们在音高、节奏、力度、音色等方面持续了数个世纪的系统性理论研究相比,音乐空间及其相关的正式理论成果仍然存在很大的不足。由于当今越来越多的艺术家认识到空间呈现在电子音乐艺术表现当中的重要性,因此电子音乐空间表现方面的实践随着科技的发展与创作思维的不断成熟而变得更加先进和精致,而事实上,与此相关的理论研究则处于相对滞后的状态。电子音乐空间理论研究中的滞后性首先在于部分常用术语在定义上的完善性。这体现出一种研究对象上的含混以及理论纵深的不足,同时也带来学术传播与交流的困难。在借鉴与归纳前人成果的基础之上,论文首次对声音空间映像(Spatial Image)的概念进行了完整、明确的界定,并指出声音空间映像的建构在电子音乐空间组织与传递(Spatial Composition and Delivery)中的核心性地位。以声音空间映像这一概念的确立为基础,论文进一步在以下三个主要方面对电子音乐中声音空间映像建构的问题进行了论述,并在其中提出一些新的见解与归纳:一、电子音乐空间映像的分类二、电子音乐空间映像建构的意义与挑战三、电子音乐空间映像建构的理念与途径最后,论文将电子音乐空间映像建构的总体追求概括为高分辨性、超自然性以及沉浸性。
[Abstract]:When electronic music is established as a new form of artistic expression, its potential in sound space expression has aroused wide interest and attention. Many valuable achievements have been made in the exploration of the spatial expression of electronic music. However, compared with the systematic theoretical research on pitch, rhythm, intensity and tone color, which has lasted for centuries, Music space and its related formal theoretical achievements still have great shortcomings. As more and more artists realize the importance of space in the expression of electronic music art, Therefore, with the development of science and technology and the maturity of creative thinking, the practice of electronic music spatial representation has become more advanced and refined, but in fact, The lag in the study of electronic music space theory lies first in the perfection of some commonly used terms in the definition, which reflects the ambiguity and ambiguity of a kind of research object. The inadequacies of the theory in depth, At the same time, it also brings the difficulty of academic communication and communication. On the basis of drawing lessons from and summing up the achievements of predecessors, the concept of Spatial Image of Sound Space is defined completely and clearly in this paper for the first time. It also points out the core position of the sound spatial image in the spatial organization and transmission of electronic music, which is based on the establishment of the concept of sound spatial image. The paper further discusses the construction of sound spatial image in electronic music in the following three main aspects, and puts forward some new ideas and induction in it: first, the classification of electronic music spatial image; The significance and challenge of the construction of electronic music space image. Finally, the thesis generalizes the overall pursuit of the construction of electronic music space image as high resolution, supernatural and immersion.
【学位授予单位】：中央音乐学院
【学位级别】：博士
【学位授予年份】：2017
【分类号】：J614.8

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