论泰国电影美学的演进（1950年代至今）

发布时间：2018-03-01 16:41

  本文关键词： 泰国新浪潮电影 艺术风格 审美特征 文化内涵 类型电影　出处：《上海戏剧学院》2016年博士论文　论文类型：学位论文

【摘要】：近年来,泰国电影以蓬勃发展的态势成为继日本、印度、中国(包括香港和台湾地区)、伊朗、韩国之后,亚洲电影的又一新兴代表。本论文拟梳理1950年代起至今泰国电影创作的发展脉络和审美演进,结合历史语境初步总结泰国电影的艺术特征及其所蕴含的社会文化内涵,并尝试思考泰国民族电影在世界电影格局中的整体建构。本文把1950年代以来的泰国电影划分为三个历史阶段,围绕如何表达现实生活这一艺术创作的根本问题,从叙事手法、视听风格、文化内涵等方面入手,分析各个历史阶段代表作品的艺术风格及其体现出的创作观念和审美追求,对泰国电影美学观念构建的嬗变之路进行一次初步的梳理和归纳。第一个历史阶段是1950-1970年代。当时16毫米胶片是泰国电影的主流制作模式,现场配音则是电影放映的主要方式,与这种生产方式相联系的低成本类型片定义了泰国电影偏重乡村童话式的审美趣味。第二个历史阶段是1970-1990年代中期。经历政局动荡和经济起飞,泰国社会逐步从完全的农业社会向城市化过渡。反映在泰国电影中的社会思辨和审美追求实现了质的飞跃,现代化的电影思维与泰国古典审美范式找到了融合的模式,“哀而不伤”的乡愁情结成为泰国电影崛起于世界民族电影之林的标志。第三个历史阶段是1997年至今。随着泰国电影向城市中产阶级意识形态的成功过渡,商业主流电影的类型创新异军突起。青春、恐怖、历史、犯罪等类型不断细分化,尤以喜剧元素与鬼片和青春片的嫁接最为成功。其鲜明的视听风格、独特的美感体验、富有民族特色的文化内涵,成为泰国电影融合本土文化精神与当代电影观念的范例。非主流电影的艺术创造则以其大胆的观念实验、多样的类型风格、深刻的文化思辨,逐步奠定并扩大在国内外主流影评界的影响力。泰国电影的崛起看似一蹴而就,但其20年来稳步提升的产业活力、艺术水平和文化影响证明了这绝非偶然,而是建立在一个稳固的基础之上。抛开硬件设施与国内外扶植资源的外部条件不谈,在创作观念上致力于找到文化价值观的共享空间,在尊重类型特征的前提下不断追求极致化的视听风格与引领性的观念表达,恐怕才是泰国电影保持良好发展势头的最重要的一块基石,是来自于内部的源动力。这对于华语电影的进一步发展也许能起到积极的启示作用。
[Abstract]:In recent years, Thai films have become more and more popular after Japan, India, China (including Hong Kong and Taiwan, Iran and South Korea). This paper intends to comb the development and aesthetic evolution of Thai film creation from 1950s to present, and summarize the artistic characteristics of Thai film and its social and cultural connotations in combination with the historical context. And try to think about the whole construction of Thai national film in the world film pattern. This paper divides the Thai film since 1950s into three historical stages, focusing on how to express real life, the fundamental problem of artistic creation, from the narrative technique. Starting with the audio-visual style, cultural connotation and other aspects, this paper analyzes the artistic style of the representative works in various historical stages and their creative ideas and aesthetic pursuits. This paper makes a preliminary combing and summing up of the evolution of Thai film aesthetic concept. The first historical stage was 1950-1970s. At that time, 16mm film was the mainstream production mode of Thai film, and live dubbing was the main way of film projection. The low-cost type of film associated with this mode of production defines Thai cinema's emphasis on rural fairytale taste. The second stage of history was in the mid-1970-1990s. Thai society has gradually transitioned from a complete agricultural society to an urbanized society. The social speculation and aesthetic pursuit reflected in Thai films have achieved a qualitative leap. Modern film thinking and Thai classical aesthetic paradigm have found a fusion model. The nostalgia complex of "sorrow but not hurt" has become the symbol of the rise of Thai film in the world national film forest. The third historical stage is 1997 to the present. With the successful transition of Thai films to the ideology of the urban middle class, The types of commercial mainstream films are emerging. The types of youth, terror, history, crime and so on continue to differentiate, especially the comedy elements and ghost film and youth film grafting is the most successful, its distinctive audio-visual style, unique aesthetic experience, The cultural connotation with national characteristics has become an example of Thai film combining the local cultural spirit with the contemporary film concept. The artistic creation of the non-mainstream film is based on its bold idea experiment, various styles, profound cultural speculation, The rise of Thai films seems to have been accomplished overnight, but the industry's vitality, artistic level and cultural impact over the past 20 years have proved that this is no accident. It's based on a solid foundation. Regardless of the hardware and the external conditions for nurturing resources at home and abroad, we are committed to finding a shared space for cultural values in terms of creative ideas. Under the premise of respecting the characteristics of the type, the pursuit of extreme audio-visual style and leading concept expression is probably the most important foundation stone for the Thai film to maintain its good development momentum. This may have a positive effect on the further development of Chinese-language films.
【学位授予单位】：上海戏剧学院
【学位级别】：博士
【学位授予年份】：2016
【分类号】：J901
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本文编号：1552728