王安忆的上海叙事研究

发布时间：2018-03-12 22:48

本文选题：王安忆　切入点：都市文学　出处：《上海大学》2016年博士论文　论文类型：学位论文

【摘要】：本文以王安忆文学作品中的上海叙事为分析对象,结合现代性概念和现当代上海文学文化历史,试图从叙事角度、叙事内涵、精神空间和叙事特点四个层面深入分析王安忆上海叙事的内在逻辑结构,试图深入剖析王安忆上海叙事的文化意义,归纳王安忆上海叙事独到的文学经验。上海是王安忆最重要的创作资源,书写上海的作品代表着王安忆创作的高度,王安忆上海叙事也凝聚了其核心理念:上海的文化特质是从普通人的日常生活中凸现的,体现在对日常生活的投入和坚持中,体现在对个体生活的重视和对生活的热爱中。只有在琐屑的日常世界,才能窥见上海精神文化空间的历史性与未来发展的可能性。论文的第一章从王安忆上海叙事的身份入手,通过分析王安忆个人经历,尤其是与上海的关系来观照她笔下的上海,将王安忆的个人身份定位为外来者、弄堂居民和知识分子,分析她以多重身份和视角展开的上海叙事。论文的第二章梳理了贯穿王安忆上海叙事写作过程中的书写对象,她对生活在上海的众生相的,尤其是底层人物的关注以及对城市与乡村的隔膜形成了独特的上海叙事主题。论文的第三章试图通过对王安忆如何在上海叙事作品中描摹市民日常生活表层下的城市的精神意义和文化内涵来寻找王安忆的上海叙事为上海构建的精神空间,同时揭示了上海在全球化背景下寻找身份认同的焦虑。论文的第四章归纳了王安忆上海叙事的特点,纪实与虚构相融合,真实城市生活的细腻描摹和城市历史的想象性体验;日常与传奇相映衬,日常平庸中的城市生活所浮现的个体生命的价值和意义,构成了王安忆上海叙事的一种独特风貌;女性书写的鲜明特色,成就了王安忆上海叙事的风格特征。论文的结语部分对上海叙事的文学旅程做了回顾与比较,其中重点将王安忆与张爱玲做了分析。王安忆的上海叙事是与左翼文学、新感觉派文学、苏青、张爱玲等的上海叙事一脉相承的,这主要不是表现王安忆在时间维度上对文学传统的继承和延续,而在于王安忆用自己独特风格的书写刻画出了上海真正的精神内涵,表达了对海派文化的深刻解读。王安忆上海叙事以女性诗情的叙述模式,通过细密详尽的描述勾勒出市民生活的日常态、都市文化的恒常性和稳定性,并以此不断在历史中寻找一个虚构的出发于现代性的想象的上海。王安忆由此极大地丰富了上海叙事的文化内涵,当之无愧地与张爱玲并立上海叙事的文学高峰。以女性意味的抒情性笔调书写的日常生活风貌在王安忆的作品中以诗意的现实主义风格呈现,并且充满了柔韧和稳定的精神特质,这是王安忆独特的上海叙事风格。
[Abstract]:This paper takes the Shanghai narrative in Wang Anyi's literary works as the analysis object, combines the concept of modernity with the modern and contemporary Shanghai literature and cultural history, tries to narrate the connotation from the perspective of narrative. The inner logical structure of Wang Anyi's narrative in Shanghai is deeply analyzed from four aspects of spiritual space and narrative characteristics, and the cultural significance of Shanghai narrative of Wang Anyi is tried to be deeply analyzed. Summarizing Wang Anyi's unique narrative literary experience in Shanghai. Shanghai is the most important creative resource for Wang Anyi, and writing Shanghai works represents the height of Wang Anyi's creation. Wang Anyi's narrative in Shanghai also condenses its core idea: the cultural characteristics of Shanghai are highlighted from the daily life of ordinary people, reflected in the input and persistence of daily life. Only in the trivial daily world, can we see the history of Shanghai's spiritual and cultural space and the possibility of its future development. The first chapter of this paper begins with Wang Anyi's narrative identity in Shanghai. By analyzing Wang Anyi's personal experience, especially her relationship with Shanghai, to look at Shanghai in her writings, and to position Wang Anyi's personal identity as an outsider, a resident of the lane hall, and an intellectual. The second chapter of the thesis combs the writing objects that run through Wang Anyi's narrative writing process in Shanghai. In particular, the attention of the bottom characters and the separation between the city and the countryside form a unique narrative theme of Shanghai. The third chapter attempts to describe how Wang Anyi describes the daily life of the people in the Shanghai narrative works. The spiritual significance and cultural connotation of the city to find the spiritual space built for Shanghai by Wang Anyi's Shanghai narrative. At the same time, it reveals the anxiety of seeking identity in Shanghai under the background of globalization. Chapter 4th summarizes Wang Anyi's narrative characteristics of Shanghai, the combination of documentary and fiction, the delicate description of real urban life and the imaginative experience of urban history. Against the background of daily life and legend, the value and significance of individual life emerging from the daily mediocre urban life constitute a unique style and feature of Wang Anyi's narrative in Shanghai, and the distinctive features of women's writing. The last part of the thesis reviews and compares the literary journey of Shanghai narrative, and focuses on the analysis of Wang Anyi and Zhang Ailing, whose Shanghai narrative is related to left-wing literature. The new sensational literature, Su Qing, Zhang Ailing and other Shanghai narratives are in the same line. This is not mainly an expression of Wang Anyi's inheritance and continuation of literary tradition in the dimension of time. But Wang Anyi used his own unique style of writing to depict the true spiritual connotation of Shanghai and express the profound interpretation of Shanghai culture. Through a detailed and detailed description of the daily life of citizens, the constancy and stability of urban culture, In this way, we are constantly looking for a fictional Shanghai, which starts from the modern imagination in history. Wang Anyi has greatly enriched the cultural connotation of Shanghai's narrative. The literary peak of Shanghai narration is juxtaposed with Zhang Ailing. The style of daily life written in the lyrical style of female meaning is presented in the poetic realism style in Wang Anyi's works. And full of flexibility and stability of the spirit, this is Wang Anyi's unique narrative style of Shanghai.
【学位授予单位】：上海大学
【学位级别】：博士
【学位授予年份】：2016
【分类号】：I207.42

【相似文献】