辟斯顿五部弦乐四重奏和声技法研究

发布时间：2018-03-21 06:48

  本文选题：沃尔特·辟斯顿　切入点：弦乐四重奏　出处：《中央音乐学院》2017年博士论文　论文类型：学位论文

【摘要】：沃尔特·辟斯顿(Walter Piston,1894—1976)是美国20世纪最为重要的新古典主义作曲家、音乐理论家和音乐教育家。五部弦乐四重奏是除了其八部交响乐之外最引人注目的作品,这五部作品横跨了辟斯顿创作的三个时期,几乎浓缩并概括了辟斯顿各个时期的主要和声技法特征。本文拟从横向与纵向两条线索架构整个行文的脉络。横向线索包括第二章和第三章。第二章论述了五部作品中所涉及到的传统五声音阶与七声音阶、人工音阶的各种类型;第三章论述的“横向声部的主题发展手法”包含了辟斯顿的旋律写作特征、主题展衍模式下的音程化特征等内容。第四章“综合调式及12音扩展的极限”是横向线索与纵向线索之间的交叉部分,笔者从国外和国内相关的“综合调式”理论入手,引申出辟斯顿独具个人特色并区别于其它“综合调性”理论的“传统音阶与人工音阶之间相互综合的半音体系”。这一章既包括并整合了第二章与第三章所论述的内容,也为第五章“综合调式半音体系下的和声语言”和第六章“对位化写作原则下的和音形态及其连接”的纵向线索提供了理论支撑。在第七章中,单独论述了《第五弦乐四重奏》第Ⅱ乐章的“12音调性序列及其和声语言特征”,之所以将其单独列为一章,是由于这是辟斯顿五部弦乐四重奏中,唯一通篇使用序列技法的乐章,并且这一乐章还体现了辟斯顿晚期作品中既坚守调性原则,又不断探索现代化和声语汇的进取精神。
[Abstract]:Walter Pistonn (1894-1976) was the most important Neo-classical composer, music theorist and music educator in 20th century. Five string quartets were the most striking works besides his eight symphonies. These five works span the three periods of his creation. The author almost condenses and generalizes the main features of harmony techniques in various periods of Deston. This paper intends to construct the whole context of the text from two clues, horizontal and vertical. The horizontal clue consists of chapters two and three. Chapter two deals with five parts. The traditional pentatonic and seven-tone scales involved in the work, Various types of artificial scales. Chapter three discusses the theme development techniques of transverse parts, which include the characteristics of Beiston's melodic writing. Chapter 4th, "the limits of Synthetical Modulation and 12-tone expansion", is the intersection between horizontal and vertical cues. The author starts with the relevant theories of "Synthetical Modular" both at home and abroad. This chapter is derived from the semitone system of traditional scale and artificial scale, which has individual characteristics and is different from other "comprehensive tonality" theories. This chapter includes and integrates the contents discussed in chapters two and three. It also provides theoretical support for the longitudinal clues of 5th chapters "Harmony language under the Integrated Modular system" and 6th "Harmony patterns and their connections under the principle of Paradisonal Writing". In Chapter 7th, The "12-tone sequence and its harmonic language characteristics" of "5th string quartet" is discussed separately, because it is the only one of the five string quartets in which the sequence technique is used. And this movement also embodies the spirit of keeping to the principle of tonality and exploring the modern harmony vocabulary in his later works.
【学位授予单位】：中央音乐学院
【学位级别】：博士
【学位授予年份】：2017
【分类号】：J614.1
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本文编号：1642723