壬辰倭乱时期战争体验汉诗研究
发布时间：2019-01-20 16:26
【摘要】：发生在四百多年前的壬辰倭乱,涉及三国,历时七年。入侵国日本穷兵黩武,最后铩羽而归；受侵国朝鲜经受住了一场几近亡国的灭顶之灾；援助国中国因为身陷战争的漩涡元气大伤。壬辰倭乱深深地改变了东亚的政治格局,越来越多的学者们也将关注的眼光放在这段尘封的历史上。然而以文学的角度切入研究这场战争影响的学术成果却为数不多,本文从朝鲜文人的汉诗作品入手,试图探讨深受中华文化熏陶的朝鲜在当时以汉字书写的汉诗面对这场战争记叙下了什么样的战争体验,又表达了怎样的思想情感。绪论部分主要阐述了本选题的研究目的和研究意义,国内外对于壬辰倭乱时期的汉诗研究现状,以及本论文的研究范围和方法思路等几个方面的内容。其中,研究现状主要从研究内容和研究方法,以及研究成果和研究形式等为线索,对于国内外学术界对于壬辰倭乱时期汉诗的研究情况进行回顾与总结。至于结论部分,则主要是本论文针对有关壬辰倭乱时期汉诗研究的综述,其中也包括本论文的未尽之处和不足之处,以及系列化的设想等等。正文部分主要包括以下几个方面的内容：第一,针对壬辰倭乱时期战争体验汉诗创作的时代背景与概况进行梳理和概括。其中包括两方面的内容,一是先从政治角度梳理壬辰倭乱的战争概况,从中朝日三国的局势变化阐明壬辰倭乱对东亚政治秩序的影响。二是从文学角度简述这一时期除汉诗以外,其它相关文学形式的对壬辰倭乱的叙述。第二,从宏观上对壬辰倭乱时期人们对于这场战争的共性体验进行讨论,按内容的侧重将诗歌主要分为四个维度。首先是对战争直观体验的悲痛情绪,其次是对统治阶级防范不周,应对不力的批判情绪,再次是对敌对方表现出的不屈态度和反抗意识,最后是对援助方并肩作战,再造朝鲜的感恩意识。这四个维度都是从封建士大夫的视角出发,所瞄准的对象不同,也产生出对壬辰倭乱不同的态度和意识,由此形成了不同作者对这场战争的共性化体验。第三,选取的身份和遭遇不同的六位诗人展现个体对壬辰倭乱的独特战争体验。六位诗人中尹斗寿、郑文孚和权椸都是在本土的语境中抒发自己内心独特的战争体验；郑希得、姜沆和鲁认则是从异域的语境出发表达自己的战争体验。在对诗作文本进行细致分析的基础之上,以其诗歌传递出思想内容以及价值取向为标准,概括出了每位诗人独特的战争审美体验。第四,从表达技巧、典型意象和作品风格等创作形式入手,对壬辰倭乱时期汉诗创作艺术进行探讨。这一时期的汉诗普遍运用了以写实为主的创作手法,典故和比喻等表达技巧大量的运用,显示了朝鲜文人深厚的汉学功底。在这一章里,还对诗中“月”、“鸟”、“白发”意象以及战场相关意象等进行了讨论,最后概括出这一时期对壬辰倭乱战争体验汉诗具有的“悲”、“豪”、“刚”等独特风格。对于创作艺术的讨论,在本文结论部分也做了相关探讨。
[Abstract]:For over four hundred years, the nonbirthday of the three countries, involving the three countries, lasted for seven years. The invading nation, the country's poor soldier, was the last of the country, and the country's north of the country had been subjected to an extermination of the near-dead, and in the aid of the country's country, the vortex of the war was a major injury. The political pattern of East Asia has been changed deeply, and more and more scholars focus on the history of the dust seal in this section. However, it is one of the few academic achievements in the study of the influence of the war in the angle of literature. This article, starting with the Han poetry works of the Korean literati, tries to explore the kind of war experience of the Korean poems written by Chinese culture at that time in the face of the war. What kind of thoughts and emotions are expressed. The introduction part mainly expounds the research purpose and significance of this topic, the present situation of the study of the Han poems at home and abroad, and the research scope and method of the thesis. In this paper, the status of the research is based on the research contents and the research methods, and the research results and the research form. As for the conclusion, the paper is mainly focused on the review of the study of Han's poetry in the period of the non-normal period, which also includes the undoing of the present paper and the shortcomings, and the series of ideas and so on. The main part of the text mainly includes the following aspects: First, the background and the general situation of the Han's poetry creation are summarized and summarized for the war experience in the period of the non-birthday. It includes two aspects: one is to comb the general situation of the war from the political point of view, and the change of the situation from the three countries to the Japan and Japan on the political order in East Asia from the change of the situation in the three countries. In the second part, it is a brief description of the form of other relevant literature, other than the Han's poems and other relevant literary forms, from the perspective of literature. Secondly, the general experience of the war is discussed from the macro level, and the poetry is divided into four dimensions according to the content. First, it is the sorrow of the visual experience of the war, and the second is to guard against the ruling class against the non-weekly and weak critical emotion, and again the unyielding attitude and the resistance consciousness of the enemy, and finally to the aid party and to reconstruct the gratitude awareness of the DPRK. The four dimensions are from the perspective of the feudal scholar, the aim of the object is different, and the attitude and consciousness of the different authors have different attitudes and consciousness, thus forming the commonness experience of the different authors to the war. The third, the identity and the encounter with different six poets to show the individual's unique war experience to the nonbirthday. In the six poets, in the context of the local context, he expressed his own unique war experience, and Zheng Shih, Jiang and Lu recognized their own war experience from the context of the foreign domain. On the basis of the careful analysis of the text of the poem, the author summarizes the unique war aesthetic experience of each poet, based on the content of the thought and the orientation of the value. The fourth part, starting with the writing style of the expression technique, the typical image and the work style, discusses the art of the Han's poetry creation in the time of the nonbirthday. The Han's poems in this period have used a lot of expression techniques, such as the writing method, the allusions and the parables, which are mainly realistic, which shows the deep-rooted Han study of the Korean literati. In this chapter, the author also discusses the 鈥渕onth鈥，
本文编号：2412192
[Abstract]:For over four hundred years, the nonbirthday of the three countries, involving the three countries, lasted for seven years. The invading nation, the country's poor soldier, was the last of the country, and the country's north of the country had been subjected to an extermination of the near-dead, and in the aid of the country's country, the vortex of the war was a major injury. The political pattern of East Asia has been changed deeply, and more and more scholars focus on the history of the dust seal in this section. However, it is one of the few academic achievements in the study of the influence of the war in the angle of literature. This article, starting with the Han poetry works of the Korean literati, tries to explore the kind of war experience of the Korean poems written by Chinese culture at that time in the face of the war. What kind of thoughts and emotions are expressed. The introduction part mainly expounds the research purpose and significance of this topic, the present situation of the study of the Han poems at home and abroad, and the research scope and method of the thesis. In this paper, the status of the research is based on the research contents and the research methods, and the research results and the research form. As for the conclusion, the paper is mainly focused on the review of the study of Han's poetry in the period of the non-normal period, which also includes the undoing of the present paper and the shortcomings, and the series of ideas and so on. The main part of the text mainly includes the following aspects: First, the background and the general situation of the Han's poetry creation are summarized and summarized for the war experience in the period of the non-birthday. It includes two aspects: one is to comb the general situation of the war from the political point of view, and the change of the situation from the three countries to the Japan and Japan on the political order in East Asia from the change of the situation in the three countries. In the second part, it is a brief description of the form of other relevant literature, other than the Han's poems and other relevant literary forms, from the perspective of literature. Secondly, the general experience of the war is discussed from the macro level, and the poetry is divided into four dimensions according to the content. First, it is the sorrow of the visual experience of the war, and the second is to guard against the ruling class against the non-weekly and weak critical emotion, and again the unyielding attitude and the resistance consciousness of the enemy, and finally to the aid party and to reconstruct the gratitude awareness of the DPRK. The four dimensions are from the perspective of the feudal scholar, the aim of the object is different, and the attitude and consciousness of the different authors have different attitudes and consciousness, thus forming the commonness experience of the different authors to the war. The third, the identity and the encounter with different six poets to show the individual's unique war experience to the nonbirthday. In the six poets, in the context of the local context, he expressed his own unique war experience, and Zheng Shih, Jiang and Lu recognized their own war experience from the context of the foreign domain. On the basis of the careful analysis of the text of the poem, the author summarizes the unique war aesthetic experience of each poet, based on the content of the thought and the orientation of the value. The fourth part, starting with the writing style of the expression technique, the typical image and the work style, discusses the art of the Han's poetry creation in the time of the nonbirthday. The Han's poems in this period have used a lot of expression techniques, such as the writing method, the allusions and the parables, which are mainly realistic, which shows the deep-rooted Han study of the Korean literati. In this chapter, the author also discusses the 鈥渕onth鈥，
本文编号：2412192
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