英汉个人叙事语篇的认知比较研究
发布时间：2024-02-19 21:22
个人叙事语篇是叙事主体对个人经历的回溯和记录,它高度情景性地还原叙事主体对自我身份认知的心理体验与对发生事件的物理体验,接近口语体的特征使探讨个人叙事语篇更能真实反映人们识解外部事件及个人与事件关系的认知加工手段和方式。然而,个人叙事语篇的形式不仅受特定文化和叙事传统制约,而且因个人风格而异,自由多变,因此一直以来处于叙事语篇研究的盲区。已有的叙事语篇研究多从结构主义或功能主义理论视角切入,探讨以文学类叙事语篇为主的概念属性和结构特征,缺乏在认知语言学理论指导下对个人叙事语篇概念和形式的全息描写,尤其缺乏对个人叙事语篇特征的跨语言分析,亦鲜有对跨语言个人叙事语篇特征异同的认知动因和其他深层原因的深度解析。本论文以认知语法理论、概念隐喻理论和理想化认知模型理论为框架,通过自建以自传或回忆录中的个人故事及网络日记、日志为主要体裁的英汉个人叙事语篇语料库,采用定量与定性相结合和描写与解释相结合的研究方法,对英汉个人叙事语篇进行了较为系统的比较研究。具体而言,本论文对以下四个问题进行了探讨:(1)个人叙事语篇具有何种概念与形式结构?(2)英汉个人叙事语篇的概念与形式结构具有何种特征?(3)英汉...
【文章页数】：237 页
【学位级别】：博士
【文章目录】：
摘要
ABSTRACT
Chapter1 Introduction
1.1 Research background
1.2 Research objectives
1.3 Research methodology
1.3.1 Data selection criteria
1.3.2 Data collection
1.3.3 Procedure of data analysis
1.4 Organizations of the dissertation
Chapter2 Literature Review
2.1 Approaches to narrative discourse analysis:what a narrativediscourse is
2.1.1 Approaching narrative discourse as text
2.1.2 Approaching narrative as cognitive model
2.2 Approaching narrative discourse structure:how a narrativediscourse is
2.2.1 Studies on narrative structural components
2.2.1.1 Formalistic and structuralistic studies:featuring in Labovianmodel
2.2.1.2 Cognitive studies:featured in van Dijk’s model
2.2.2 Studies on narrative structural organization
2.2.2.1 Formal and structural studies
2.2.2.2 Cognitive and psychological studies
2.3 Cross-cultural discourse studies:how and why they are different
2.3.1 Cross-cultural studies on non-narrative discourses
2.3.2 Cross-cultural studies on narrative discourses
2.4 Summary
Chapter3 Theoretical Foundations
3.1 Cognitive Grammar
3.1.1 Guiding principles
3.1.2 Key concepts
3.1.2.1 Profiling
3.1.2.2 Action chain
3.1.2.3 Scanning
3.2 Conceptual Metaphor Theory
3.3 Idealized Cognitive Model
3.4 Theoretical framework of personal narrative discourse analysis:anintegration
Chapter4 Conceptual and Formal Structures of Personal NarrativeDiscourses
4.1 Personal narrative discourse as a symbolic unit
4.2 The concept of the personal narrative discourse:A JOURNEY
4.2.1 The conceptual emergence
4.2.2 The conceptual elements
4.2.2.1 Personal narrative agent:narrating agent and experiencingagent
4.2.2.2 Personal narrative event
4.2.2.2.1 Narrative motivation:action motivation and statemotivation
4.2.2.2.2 Narrative trajectory:referential trajectory and reflectivetrajectory
4.2.2.2.3 Narrative finale: “now”finale and“then”finale
4.2.3 The conceptual structure:componential model and sequentialmodel
4.3 Linguistic form of the personal narrative discourse
4.3.1 Linguistic form on the macro-level:narrating commencement,narrating enroute and narrating denouement
4.3.2 Linguistic form on the meso-level
4.3.2.1 Abstract
4.3.2.2 Orientation
4.3.2.3 Complicating actions
4.3.2.4 Evaluation
4.3.2.5 Resolution
4.3.2.6Coda
4.3.3 Linguistic form on the micro-level
4.4 Summary
Chapter5 Conceptual and Formal Features of English and ChinesePersonal Narrative Discourses
5.1 Conceptual and formal features of English personal narrativediscourses
5.1.1 Conceptual features of English personal narrative discourse
5.1.1.1 Conceptual features of English personal narrative discoursecomponents
5.1.1.1.1 Conceptual features of English personal narrative agent:prototypical experiencing agent
5.1.1.1.2 Conceptual features of English personal narrative event:prototypical action motivation,referential trajectory and“now”finale
5.1.1.2 Conceptual features of English personal narrative discoursesequence:prototypical causal sequence
5.1.2 Formal features of English personal narrative discourse
5.1.2.1 Salience chain of macro-level English personal narrativediscourse components
5.1.2.2 Salience chain of meso-level English personal narrativediscourse components
5.1.2.3 Salience chain of micro-level English personal narrativediscourse narrator
5.2 Conceptual and formal features of Chinese personal narrativediscourses
5.2.1 Conceptual features of Chinese personal narrative discourse
5.2.1.1 Conceptual features of Chinese personal narrative discoursecomponents
5.2.1.1.1 Conceptual features of Chinese personal narrative agent:prototypical experiencing agent
5.2.1.1.2 Conceptual features of Chinese personal narrative event:prototypical state motivation,referential trajectory and“then”finale
5.2.1.2 Conceptual features of Chinese personal narrative discoursesequence:prototypical causal sequence
5.2.2 Formal features of Chinese personal narrative discourse
5.2.2.1 Salience chain of macro-level Chinese personal narrativediscourse components
5.2.2.2 Salience chain of meso-level Chinese personal narrativediscourse components
5.2.2.3 Salience chain of micro-level Chinese personal narrativediscourse narrator
5.3 Summary
Chapter6 Similarities and Differences Between English and ChinesePersonal Narrative Discourses
6.1 Similarities and differences in the concept of English and Chinesepersonal narrative discourse
6.1.1 Similarities in the concept of English and Chinese personalnarrative discourse
6.1.1.1 Shared fuzzy boundaries
6.1.1.2 Shared prototypical components and causal sequence
6.1.1.3 Shared metaphorical motivation
6.1.2 Differences in the concept of English and Chinese personalnarrative discourse
6.1.2.1 Chinese action versus English motion
6.1.2.2 Chinese high subjectivity versus English low subjectivity
6.2 Similarities and differences in the linguistic form of English andChinese personal narrative
6.2.1 Similarities in the linguistic form of English and Chinesepersonal narrative
6.2.2 Differences in the linguistic form of English and Chinesepersonal narrative discourse
6.3 A case study
6.3.1 The similarities
6.3.2 The differences
6.3.2.1 The differences in subjectivity
6.3.2.2 The differences in dynamicity
6.4 Summary
Chapter7 Cultural and Cognitive Motivations of English andChinese Personal Narrative Discourses
7.1 Cultural motivations of English and Chinese personal narrativediscourses
7.1.1 Different self-identity
7.1.2 Different degrees of dependence on contextual clues
7.1.3 Different understanding of causality
7.1.4 Different understanding of temporality
7.2 Cognitive motivations of English and Chinese personal narrativediscourses
7.2.1 Chinese optimal viewing arrangement versus English egocentricviewing arrangement
7.2.2 Chinese sequential scanning versus English summary scanning
7.2.3 Different levels of iconicity
7.2.3.1 More iconic in Chinese narrative rhythm
7.2.3.2 More iconic in Chinese causal link
7.3 Summary
Chapter8 Conclusion
8.1 Major findings of the present study
8.2 Contributions of the study
8.3 Limitations and suggestions
Bibliography
Appendix
Acknowledgements
本文编号：3903334
【文章页数】：237 页
【学位级别】：博士
【文章目录】：
摘要
ABSTRACT
Chapter1 Introduction
1.1 Research background
1.2 Research objectives
1.3 Research methodology
1.3.1 Data selection criteria
1.3.2 Data collection
1.3.3 Procedure of data analysis
1.4 Organizations of the dissertation
Chapter2 Literature Review
2.1 Approaches to narrative discourse analysis:what a narrativediscourse is
2.1.1 Approaching narrative discourse as text
2.1.2 Approaching narrative as cognitive model
2.2 Approaching narrative discourse structure:how a narrativediscourse is
2.2.1 Studies on narrative structural components
2.2.1.1 Formalistic and structuralistic studies:featuring in Labovianmodel
2.2.1.2 Cognitive studies:featured in van Dijk’s model
2.2.2 Studies on narrative structural organization
2.2.2.1 Formal and structural studies
2.2.2.2 Cognitive and psychological studies
2.3 Cross-cultural discourse studies:how and why they are different
2.3.1 Cross-cultural studies on non-narrative discourses
2.3.2 Cross-cultural studies on narrative discourses
2.4 Summary
Chapter3 Theoretical Foundations
3.1 Cognitive Grammar
3.1.1 Guiding principles
3.1.2 Key concepts
3.1.2.1 Profiling
3.1.2.2 Action chain
3.1.2.3 Scanning
3.2 Conceptual Metaphor Theory
3.3 Idealized Cognitive Model
3.4 Theoretical framework of personal narrative discourse analysis:anintegration
Chapter4 Conceptual and Formal Structures of Personal NarrativeDiscourses
4.1 Personal narrative discourse as a symbolic unit
4.2 The concept of the personal narrative discourse:A JOURNEY
4.2.1 The conceptual emergence
4.2.2 The conceptual elements
4.2.2.1 Personal narrative agent:narrating agent and experiencingagent
4.2.2.2 Personal narrative event
4.2.2.2.1 Narrative motivation:action motivation and statemotivation
4.2.2.2.2 Narrative trajectory:referential trajectory and reflectivetrajectory
4.2.2.2.3 Narrative finale: “now”finale and“then”finale
4.2.3 The conceptual structure:componential model and sequentialmodel
4.3 Linguistic form of the personal narrative discourse
4.3.1 Linguistic form on the macro-level:narrating commencement,narrating enroute and narrating denouement
4.3.2 Linguistic form on the meso-level
4.3.2.1 Abstract
4.3.2.2 Orientation
4.3.2.3 Complicating actions
4.3.2.4 Evaluation
4.3.2.5 Resolution
4.3.2.6Coda
4.3.3 Linguistic form on the micro-level
4.4 Summary
Chapter5 Conceptual and Formal Features of English and ChinesePersonal Narrative Discourses
5.1 Conceptual and formal features of English personal narrativediscourses
5.1.1 Conceptual features of English personal narrative discourse
5.1.1.1 Conceptual features of English personal narrative discoursecomponents
5.1.1.1.1 Conceptual features of English personal narrative agent:prototypical experiencing agent
5.1.1.1.2 Conceptual features of English personal narrative event:prototypical action motivation,referential trajectory and“now”finale
5.1.1.2 Conceptual features of English personal narrative discoursesequence:prototypical causal sequence
5.1.2 Formal features of English personal narrative discourse
5.1.2.1 Salience chain of macro-level English personal narrativediscourse components
5.1.2.2 Salience chain of meso-level English personal narrativediscourse components
5.1.2.3 Salience chain of micro-level English personal narrativediscourse narrator
5.2 Conceptual and formal features of Chinese personal narrativediscourses
5.2.1 Conceptual features of Chinese personal narrative discourse
5.2.1.1 Conceptual features of Chinese personal narrative discoursecomponents
5.2.1.1.1 Conceptual features of Chinese personal narrative agent:prototypical experiencing agent
5.2.1.1.2 Conceptual features of Chinese personal narrative event:prototypical state motivation,referential trajectory and“then”finale
5.2.1.2 Conceptual features of Chinese personal narrative discoursesequence:prototypical causal sequence
5.2.2 Formal features of Chinese personal narrative discourse
5.2.2.1 Salience chain of macro-level Chinese personal narrativediscourse components
5.2.2.2 Salience chain of meso-level Chinese personal narrativediscourse components
5.2.2.3 Salience chain of micro-level Chinese personal narrativediscourse narrator
5.3 Summary
Chapter6 Similarities and Differences Between English and ChinesePersonal Narrative Discourses
6.1 Similarities and differences in the concept of English and Chinesepersonal narrative discourse
6.1.1 Similarities in the concept of English and Chinese personalnarrative discourse
6.1.1.1 Shared fuzzy boundaries
6.1.1.2 Shared prototypical components and causal sequence
6.1.1.3 Shared metaphorical motivation
6.1.2 Differences in the concept of English and Chinese personalnarrative discourse
6.1.2.1 Chinese action versus English motion
6.1.2.2 Chinese high subjectivity versus English low subjectivity
6.2 Similarities and differences in the linguistic form of English andChinese personal narrative
6.2.1 Similarities in the linguistic form of English and Chinesepersonal narrative
6.2.2 Differences in the linguistic form of English and Chinesepersonal narrative discourse
6.3 A case study
6.3.1 The similarities
6.3.2 The differences
6.3.2.1 The differences in subjectivity
6.3.2.2 The differences in dynamicity
6.4 Summary
Chapter7 Cultural and Cognitive Motivations of English andChinese Personal Narrative Discourses
7.1 Cultural motivations of English and Chinese personal narrativediscourses
7.1.1 Different self-identity
7.1.2 Different degrees of dependence on contextual clues
7.1.3 Different understanding of causality
7.1.4 Different understanding of temporality
7.2 Cognitive motivations of English and Chinese personal narrativediscourses
7.2.1 Chinese optimal viewing arrangement versus English egocentricviewing arrangement
7.2.2 Chinese sequential scanning versus English summary scanning
7.2.3 Different levels of iconicity
7.2.3.1 More iconic in Chinese narrative rhythm
7.2.3.2 More iconic in Chinese causal link
7.3 Summary
Chapter8 Conclusion
8.1 Major findings of the present study
8.2 Contributions of the study
8.3 Limitations and suggestions
Bibliography
Appendix
Acknowledgements
本文编号：3903334
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