多感官体验在博物馆展览营造中的理论与运用——以浙江台州博物馆“海滨之民”展项为例

发布时间：2018-03-08 14:42

本文选题：博物馆体验　切入点：多感官　出处：《东南文化》2017年04期 　论文类型：期刊论文

【摘要】：如今的博物馆功能已并非局限于保存、展示文物,它可以是学习中心、社区活动中心,同时是人们思考和交流的场所。博物馆的参观过程已经不再是观众被动地吸收策展人精心设计的知识架构,而是更加注重涉及感官、知识、美学及社会等方面的多层次体验。"多感知"的观念逐渐影响作为非正式教育场所的博物馆界。被"视觉中心主义"长期占据的现代博物馆开始重新思考多种感官的运用,博物馆开始更多地考虑超越视觉外的触觉、听觉、嗅觉及本体感觉等感官体验的认知与情感属性,并探索与之相对应的应用方式与技术支持。在此背景下,浙江台州博物馆民俗展厅"海滨之民"多感官展项,将多种感官运用至展览中,从而激发观众的直接经验,形成良好的认知与体验。
[Abstract]:Today's museum function is not limited to preservation, display artifacts, it can be a learning center, community activity center, At the same time, it is also a place for people to think and communicate. Instead of passively absorbing the carefully designed knowledge structure of the curators, the museum visitors pay more attention to the sense organs and knowledge. The multi-level experience of aesthetics and society. The concept of "multi-perception" gradually affects the museum world as a place of non-formal education. The modern museum, which has been occupied by "visual centralism" for a long time, has begun to rethink the use of various senses. The museum has begun to consider the cognitive and emotional properties of sensory experiences beyond vision, such as touch, hearing, smell and proprioception, and explore the corresponding application and technical support. The multi-sensory exhibition of "the people of the Seashore" in the Folk Custom Exhibition Hall of Taizhou Museum in Zhejiang Province applies various senses to the exhibition, thus arousing the audience's direct experience and forming a good cognition and experience.
【作者单位】：浙江大学文化遗产与博物馆学研究所;
【分类号】：G265

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